Martin Miller, has been doing high-resolution photography since 1970, first with 4x5” and 8x10” view cameras then, more recently, with digital cameras in a technique called stitched mosaics.  In 2003 he retired from a 31-year career as a research physicist with the US Army Research Laboratory to devote full time to his photography.  In 2006 his oeuvre shifted from nature abstracts first to the heavy implements of war and then to weapons of mass destruction, including a major multi-year substudy of the production facilities of the Manhattan Project.  His photographic work has received international recognition and is currently represented by Galerie Gora in Montreal and Galerie Sakura in Paris.