Collins combines deeply personal stories of horrific loss with a surprising resilience that nudges readers to learn how to “metabolize” their grief. She draws on her past experience with the performing arts as a way of harnessing emotions “to make the life lessons inherent in grief available to us in our future lives.” Breaking down the many different causes of grief—from chronic illness and death to prolonged absences and the devastation of war—she offers unique healing strategies, such as using dance as a way to mourn or transforming places of trauma with installed art. She writes with wisdom and practicality, pushing back on Western cultural norms like grieving quietly, being “sorry” when waves of grief hit, and keeping a “stiff upper lip.”
In channeling art as a conduit in the healing process, Collins hits on a coping skill that nearly anyone can use, framing the inevitability of grief as a practice—not something to be swept under the rug. That down-to-earth approach—and the guide’s myriad reflection prompts and hands-on resources—makes this a valuable tool for anyone seeking a more holistic relationship with their grief.
Takeaway: Engaging grief resource that embeds the arts into the healing process.
Comparable Titles: Shelby Forsythia’s Your Grief, Your Way, Alessandra Olanow’s Hello Grief.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
After suffering a “messy, Jerry Springer-style financial crisis,” Renee came to realize her “relationship with money looked a lot like the messed-up relationships my clients came in with.” That made her think about how she’d “helped them turn it all around by teaching them to be kind and respectful, love up on each other, and make the relationship a priority.” Renee offers fun yet practical ways to treat one’s cash, such as going on “money dates”: taking it on shopping sprees, dreaming about what you want to do with it, or simply pausing to appreciate all it does for you—“because, like it or not, you need money.” She implores against negative thinking, like dwelling on past financial mistakes or even declaring money the “root of all evil.” She also reminds readers that just as there are no “happily ever after”s in romantic relationships, dealing with money also demands work and commitment.
Renee’s advice is endearingly playful, though she can sometimes go a bit overboard, such as a section where she instructs readers to draft a prenuptial agreement for their “money marriage.” Meanwhile, her claim that if you “you really, really, really want something, you’ll find the money for it,” sounds tone-deaf in an era of economic hardship. Still, this is not a book about becoming the next billionaire. It’s about making financial choices that are realistic. Best of all, she reminds readers that giving money to those in need, she preaches, feels even better than making it.
Takeaway: Fun, practical financial guide for improving both bank accounts and mental health.
Comparable Titles: Kara Stevens’s Heal Your Relationship with Money, Yanely Espinal’s Mind Your Money.
Production grades
Cover: B+
Design and typography: B
Illustrations: N/A
Editing: A-
Marketing copy: A-
Despite the unexpected ways their lives touch, the parallel histories of Delilah Neustat, a posh socialite, and Deborah Seevers, a brothel owner, highlight stark contrasts in worldviews and principles. However, Delilah’s and Deborah’s stories serve as cautionary tales about the choices women face, the enduring impact of trauma, and the costs and challenges of love. Desrosiers weaves threads of resilience and self-discovery into both narratives, exploring Delilah’s tragic past and subsequent rise in social status, as well as Deborah’s resilience in the face of abuse and adversity. The heirs, grappling with their own struggles and aspirations, must decide how to honor Mrs. Neustat’s legacy while forging their own paths.
Amid striking historical detail, sensitive to both extraordinary events and everyday textures, Desrosiers boldly explores issues of abuse—both physical and emotional—plus sex work, female desire and agency, and themes of love, betrayal, loss, and redemption. The prose is brisk and direct, attentive to feelings, though an abundance of characters and subplots sometimes diminishes the narrative pace. The Three Heirs leaves readers contemplating the power of resilience and self-introspection, the importance of compassion, and the enduring bonds of family.
Takeaway: Vivid novel of choices and inheritance for 19th century American women.
Comparable Titles: Shana Abe’s An American Beauty, Sheri Holman’s The Dress Lodger,
Production grades
Cover: A-
Design and typography: =A
Illustrations: N/A
Editing: B+
Marketing copy: A-
What Lucy doesn’t know is that Malcolm is quietly working the very same case she’s got her sights set on, and their on-again, off-again romance adds nicely to the story’s tension. In spite of their growing friendship, the pair don’t trust each other, each doubting the other’s motives and reluctant to share information. That makes these central characters entirely relatable, adding depth and nuance both to their relationship and to the chief mystery. Flynn’s cast in general holds interest, with some characters—notably the Holland couple, as a study in contrasts—more memorable than others, all set against the secrets and mysteries of a small town eager to believe a false story simply because the powers-that-be created it.
Flynn (author of the Like No Other series) keeps the clues coming at regular intervals, ensuring the taut pacing sharpens readers’ curiosity, and the final reveal, though not entirely unexpected, is nonetheless gratifying. The importance Lucy gives to clearing her father’s name—and ensuring that he is remembered as an honest police officer who died in the line of duty—is touching, and Flynn capably ties up the story’s loose ends, providing satisfying closure for this neatly woven combination of sunny romance and murder mystery.
Takeaway: A daughter investigates her father’s murder in this romance/mystery combo.
Comparable Titles: Kendra Elliot’s A Merciful Silence, Karin Slaughter’s Fallen
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
A longtime music industry player who’s worked at Sony and Universal—and helped discover icons such as Madonna in the early 1980s—Barbone knows that pop stardom is far from a one-person deal. “Talent, while occurring naturally in certain individuals,” she writes, “must be developed, nurtured, packaged, and marketed through the untiring and unwavering efforts of this team of experts.” In outlining specific industry roles, she covers topics like the cost of vocal coaches, contract particulars for booking agencies, the importance of legal counsel, and why sound and light technicians (“sound wizards,” as she calls them) are so crucial to success. The guide also touches on contemporary developments changing the industry, including how the digital age—virtual events, streaming, and more—is transforming the marketplace.
Industry readers may wish for more personal anecdotes from such a longtime entertainment professional, though Barbone’s general tips—studios with open schedules are more likely to invest in new artists, detailed marketing plans can attract investors, and artists must be holistically prepared for the arduous work ahead of them—are both interesting and helpful. At its heart, this brief rendering functions as a survivor’s guide of sorts for artists in an industry filled with people who could “literally and figuratively” rob them blind.
Takeaway: Compact, inviting look at how entertainment stars can navigate a treacherous industry.
Comparable Titles: Ebonie Caldwell’s DIY Fame, Art Linson’s A Pound of Flesh.
Production grades
Cover: B+
Design and typography: A-
Illustrations: A-
Editing: B+
Marketing copy: B+
Weiss’s nighttime world is wonderfully alive, radiant with glimmering shades of dusk and the cool hues of night, where “nocturnal creatures [start] to sing,” from the softly croaking frogs to the cheery notes of songbirds to the delicate flutter of Luna moth wings. With whispering prose, Weiss reflects the gentle harmony of the natural world with the evening animals who come out to play just as kids wind down, suggesting a beautiful symbiosis between human cycles and those of the outdoors, where “the Firefly Lullaby soothes us to sleep.”
Readers will find this debut the perfect bedtime accompaniment, a tender nudge to “read favorite books” and let imaginations run wild while the night entertains with a striking symphony. The whimsical illustrations twinkle with muted lights and soft-edged shapes that echo dreamscapes, and Weiss’s moon is a bioluminescent orb that oversees the evening’s activities. Weiss closes with a glossary that covers book terms like “baritone” and “nocturnal,” as well as entertaining facts on the story’s featured animals (firefly groups are delightfully called “sparkles,” and Luna moths are seasonal nighttime visitors) and a link to the book’s MP3 Soundscape. Bedtime transforms into an ethereal encounter in Weiss’s assured hands.
Takeaway: Whimsical celebration of soothing bedtime routines.
Comparable Titles: Emmy Kastner’s While You’re Asleep, Faye Farhang Hutsell’s Sweet Dreams, Haystack Rock.
Production grades
Cover: A-
Design and typography: A-
Illustrations: A
Editing: B+
Marketing copy: A
Mink’s storytelling is immersive, blending vivid descriptions with emotional depth to capture the inner turmoil of her characters. Kees’s psychological struggle as he faces the moral weight of his actions is both raw and unsettling, and, as The Bone Sculptor explores themes of loyalty, betrayal, and the erosion of innocence, Mink offers a poignant glimpse of how war reshapes human connections and identities. The novel’s nuanced portrayal of Nazi ideology’s horrifying impact on individuals and families adds further complexity; even as Kees readies to fight for the Germans, he reflects on the shock of neighbors informing on neighbors in exchange for money, on “kind and generous people becoming monsters.”
The use of multiple perspectives enriches the story, providing a layered understanding of the characters’ conflicts, and, just as she juxtaposes the horrors of World War II with the resilience of everyday people trying to survive it, Mink (author of A History of Love and Now) also uses vivid descriptions of Kees’s front-line experiences to reveal his urge to stay alive “in a war alien to him” amid desperate thoughts of the people he’s left behind. The Bone Sculptor is a haunting and thought-provoking exploration of war, family, and morality, with meticulous historical research and an emotionally resonant narrative that will captivate historical fiction fans.
Takeaway: Haunting novel of love, morality, and World War II.
Comparable Titles: Michael Reit’s Beyond the Tracks, Hans Fallada’s Alone in Berlin.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Hamrick’s humor may not land with all readers, but it does keep his prose—and a sometimes monotonous, repetitive political campaign—humming. Much of the dramatic tension in the story rises from Allen’s attempts to reach out to highly engaged primary voters after he has historically been uninvolved in the political process, a problem that ultimately costs him votes. “The whole idea of my campaign is that there are a whole lot of us out there who should have done more and didn’t but are now waking up,” Allen shares with a particularly vehement non-supporter. Quips like that give readers a starkly resonant reminder of America’s fraught political landscape.
Hamrick keeps the focus primarily on Allen’s small victories and defeats—a website not up to par for a launch party, a competitor’s crooked logo, the grueling work of the operation’s volunteers—rather than the broader historical moments taking place, a strategy that reflects the limited resources and ruthless decisions of a focused political campaign. Personal photographs give the stories valuable context, and, despite the outcome of their unsuccessful run, Worse Than You Think speaks volumes on the tense nature of America’s governmental processes, as Hamrick bleakly sums up his experiences: “Politics sucked my soul in six months flat.”
Takeaway: Sardonic memoir of a lesser-known’s run for political office.
Comparable Titles: George Franklin’s So You Think You Want to Run for Congress, Michael Ignatieff’s Fire and Ashes.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A-
Marketing copy: A-
While uplifting and inspirational—qualities that could be misconstrued as overly optimistic—these poems are not oblivious to adversities, such as the echoes of war: "I thought I heard a war cry / It cried out loud and long." This raw grief is amplified by his son's death in the name of public service—"I lost my son to darkness / He never shall grow old"—but Kilgore's faith still triumphs, as he reflects on the promise of eternal reunion: “But now his soul’s in heaven / Where clouds will never be.” This ability to anchor faith amid sorrow is the collection’s most remarkable strength.
A strict, rhyming quatrain structure results in some forced phrasing that diminishes emotional resonance, such as, “It seeks to admire / Of all life itself, / It looks to all others / Of where it can help.” Still, this lyrical simplicity and sincerity, married to theological depth, is the hallmark of Kilgore's work. Bolstered by rich biblical allusions that guarantee God's nearness—"Never am I far from you / For in me do you live"—Covenant's Promise offers solace and hope to those seeking faith-filled poetry rooted in lived experience.
Takeaway: Faithful reflections on family, life, hardships, and divine connection.
Comparable Titles: Hannah Hurnard’s Hinds’ Feet on High Places, Douglas Kaine McKelvey’s Every Moment Holy.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Goldstein weaves a captivating narrative in his fiction debut, exploring the complexities of corporate loyalty and the moral dilemmas faced by employees who feel betrayed by their higher-ups. The characters are richly developed, each with their own backstory of struggle and survival, making their collective decision to commit the heist both understandable and riveting. Andy's transformation from a "company man" to a protector of his team is particularly poignant, highlighting the impact of personal loss and the lengths one will go to for those they care about. As the heist unfolds, Goldstein skillfully builds tension, with careful attention to detail—the vault’s day-to-day operations and the intricacies of the financial industry—that adds authenticity to the story, making this a fascinating read for those interested in the inner workings of Wall Street.
One of The Vault’s strengths is its treatment of the immigrant experience and the sacrifices made by first-generation Americans, explored through Goldstein’s depiction of the cultural biases that limit work opportunities for the book’s minority and immigrant characters. That kind of thoughtful exposition illuminates the moral complexities of corporate life and the bonds that tie people together, making this compelling narrative stand out in the genre of financial thrillers.
Takeaway: Exciting, convincing Wall Street heist thriller.
Comparable Titles: Denison Hatch’s Flash Crash, Peter Spiegelman’s Thick as Thieves.
Production grades
Cover: B+
Design and typography: B+
Illustrations: NA
Editing: A-
Marketing copy: A-
Illustrator Macri, who has authored two graphic memoirs and two picture books, works with a charcoal palette and has a clean, expressive style that suits Kinney’s swift-paced story. She seems most comfortable drawing faces, and Kinney’s dialogue-heavy script gives her plenty of opportunity to showcase her strength. Kinney also offers snippets of Van Nostrand’s backstory, which—aside from the somewhat rushed climax—provide the only real physical action in the book and add a little swashbuckling spice to the mix. That said, the exact nature of Van Nostrand’s secret remains slightly vague, even after his eventual full confession to Traeger. A minor subplot involving Traeger’s newspaper rival could perhaps have been jettisoned in favor of building out Van Nostrand’s world, even if it consists mostly of well-worn horror/thriller tropes.
Traeger’s arc is more surprising, as it’s not her overt reportorial doggedness but her buried idealism (with a little help from a well-handled love interest) that saves her in the end. Van Nostrand ends on a cliffhanger of sorts, with more installments promised. Having spanned hundreds of years, a couple of continents, and a few genres, readers will be left curious to see where Kinney goes next.
Takeaway: This gothic thriller graphic novel freshens up its mix of genres.
Comparable Titles: Saladin Ahmed and Sami Kivelä’s Abbott, Scott Snyder and Rafael Albuquereque’s American Vampire.
Production grades
Cover: A-
Design and typography: A
Illustrations: B+
Editing: A
Marketing copy: B
Staback and Kennedy draw from Norse and Greek mythology, as well as Viking history, to weave this enchanting story of sisterhood, friendship, and good versus evil—the first in their Ascending Veil series. The narrative unfolds from multiple points of view, exposing the violence and helplessness that victims of human trafficking endure while building the tension of two intertwined lives destined for something far greater than themselves. As both Emilia and Clara reach milestone after milestone in their lives, readers will be eager to discover how they embrace their destinies—and eventually go their separate ways, recognizing that they must let go of their past lives and invoke the power of the goddesses within.
At times foreshadowing and sinister, Andarta is a grandiose coming-of-age story and origin tale that hinges on the strength, resilience, and underlying power of two young women on a journey of self-discovery and legendary greatness. Through imaginative storytelling and emotive circumstances, the authors highlight the evil that mankind senselessly inflicts on others for personal gain, crafting a heart-pounding saga of two sisters tasked with saving humanity and raining down justice for the victimized souls of the world. Fantasy fans who relish well-drawn characters with grave destinies will be eager for the next installment in the series.
Takeaway: Twin sisters—human hosts to two goddesses—fight to save humanity.
Comparable Titles: Tracy Deonn's Legendborn, Hannah Lynn's Daughters of Olympus.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: B+
Marketing copy: A-
Though comprehensive and wide-ranging, Lead Like an Editor reads quickly due to its engaging writing and effective structure. Maze organizes his leadership philosophy through the acronym MY STAMP, which encapsulates the essential areas for readers to focus on: Mindset, [developing] Yourself, Structure, Team, Audience, Message, and Product. Each chapter explores its focus through Maze’s personal experience, case studies, research, and advice from experts ranging from Disney’s Bob Iger to Martha Stewart. These concrete illustrations help convert complex concepts into digestible, practical steps, which are reinforced in synopses after each chapter and a downloadable workbook.
Maze gives fascinating insight into the fast-paced world of magazine publishing, from identifying and naming trends to the pressure of shipping an issue to the printer on time. While examples like these may feel less accessible to readers outside the print world, Maze takes care to extrapolate how “the editor’s edge” can help managers and entrepreneurs in any field to level up. His high standards—he encourages showing up to work sick in most circumstances, and he advocates for “work/life brilliance” instead of work/life balance—might intimidate some, but his enthusiasm is persuasive and infectious. His advice will motivate anyone eager to grow professionally and provide them with tools to make a meaningful impact on their careers.
Takeaway: Practical leadership strategies drawn from the world of magazine publishing.
Comparable Titles: Ed Catmull’s Creativity, Inc., Kerrie Flanagan’s Writer's Digest Guide to Magazine Article Writing.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
Brancato keeps the material clearly organized and accessible throughout, as he guides readers through understanding life priorities, taking the TDS, interpreting its results, and turning those results into actionable goals. Each chapter is packed with practical advice, real-life examples, and reflection prompts that will assist couples as they navigate the challenges unique to their relationship. The sheer abundance of practical tools Brancato offers will keep readers focused on the conversations that count, reducing misunderstandings and fostering a “collaborative mindset.” He reminds readers that alignment does not equal “agreeing on everything” and urges them to put in the work necessary to improve their more vulnerable areas: “Even small shifts in alignment… can have a profound impact on your relationship,” he writes.
Prioritize Us is not just about identifying misalignments but also about appreciating strengths and building on shared values. Brancato encourages couples to create rituals and habits that reinforce their connection and reminds them to “celebrate small wins along the way.” The book's practical worksheets and templates make it easy to apply the concepts and track progress, and Brancato’s insightful, actionable approach transforms this into a valuable resource for couples seeking to deepen their connection and build a relationship that reflects their true values.
Takeaway: User-friendly tools for couples seeking a deeper connection.
Comparable Titles: Marcus and Ashley Kusi’s Questions for Couples, Alica Muñoz’s The Couple’s Quiz Book.
Production grades
Cover: B
Design and typography: B+
Illustrations: N/A
Editing: A-
Marketing copy: A
Despite the often-complex subject matter, readers will find Clarke’s style easy to digest. He veers from technical writing to a more relaxed, creative manner that brings the natural world to life, unraveling his astonishment at the billowing underwater environment he falls in love with, where “fluorescently colored juvenile reef fish [dart] about” and “territorial three-spot damselfishes” take their aggression out on him. Despite that lighthearted feel—Clarke even declares that “science is a form of play”—his recollections center on the importance of data collection and analysis, explaining to readers how fieldwork helps him strike a balance between immersing himself in the natural environment and becoming “an intellectual being engaged in abstract thought.”
The most powerful sections in Clarke’s memoir revolve around his family’s annual trips to St. Croix, a reunion of sorts for them. He writes, “That first snorkel always felt like a homecoming. I was surrounded by fish and corals I knew intimately… I belonged here, and the reef community welcomed me.” Those trips were the breeding ground for several breathtaking discoveries, and Clarke includes personal photographs of his family during their time there. Nature lovers and curious minds will be fascinated.
Takeaway: Compelling memoir that blends scientific inquiry with rich personal recollections.
Comparable Titles: Christine Figgener’s My Life with Sea Turtles, Juli Berwald’s Spineless.
Production grades
Cover: B+
Design and typography: B
Illustrations: A
Editing: A-
Marketing copy: A