A string of coincidences constitutes a loose plot that eventually leads Caroline out of London to Emerald Glover, the mysterious novelist whose work could secure her academic reputation. Through first-person narration, Caroline reveals herself as a naïve Anglophile prone to speaking in exclamations, continually expressing astonishment that her colleagues don’t share her rapture about London—but her knowledge of the city stems primarily from a brief sojourn as an undergraduate and a devotion to Masterpiece Theatre. L’Enfant makes clear her characters’ bias throughout the novel, particularly with Caroline’s nonchalant judgments about “brown scholars" and her understanding of a friend’s “sensible distrust of foreigners,” and when combined with the anti-Semitic outbursts of a supporting character, these sentiments may challenge some readers’ patience.
Skeptics will be pleased to see Caroline achieving some maturity in the final chapters, as she realizes the professor she’s dreamt about for eight years isn’t all that dashing and that London is just one speck in a big world—though she shares this growth through meandering, travelogue-style observations that foster some disconnection between the story’s events. A high point in the novel is L'Enfant’s skewering of academics and their pursuits, creating laugh-out-loud moments amid this otherwise scholarly read.
Takeaway: An amusing story centered on a young professor’s hunt for an obscure novelist.
Great for fans of: David Lodge and Jessica Francis Kane
Production grades
Cover: C
Design and typography: B+
Illustrations: NA
Editing: B
Marketing copy: B+