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Dennis Ideue
Author
Aurora Ascending
Dennis Ideue, author
In 2552, the United Terran Federation governed the world, and Commander Elliot Greyjoy was a highly decorated officer and leader of a special operations hostage rescue team. But when the aliens from the planet Aether land on Earth for First Contact, Elliot faces a new challenge as he tries to protect his world from the Aetherians. As the story unfolds, we meet Aurora, an orphan from Detroit who bears a striking resemblance to the Aetherian Princess Ember Peregrine. When Ember is assassinated and Aether occupies Earth, Elliot leads the evacuation of the planet and takes fifteen thousand of Earth’s best to Safe Haven, a refugee camp on a distant planet. With the help of the stolen Aetherian ship and a smartass AI, Aurora and Elliot set out to stop the Aetherian Emperor’s plans and save the universe from destruction. But can they overcome the challenges ahead and fulfill their destiny? Find out in Aurora Ascending, the thrilling new science fiction military space opera, and the origin story of the New Terrans series. Join Elliot and his crew as they assemble a force for the greatest battle of all time: assaulting the impregnable defenses around Aether. This is the Origin Story of the New Terrans Series, a six-volume space opera of epic proportions. You’ll love this series if you love action, detailed space battles, fleet engagements, ship-to-ship combat, and romance. Elliot’s love of 20th-century science fiction adds a new dimension as he is called on to name alien technologies. It is a tale like the tremendous old Space Operas, with incorruptible heroes and unspeakably evil villains. First contact, planetary occupation, and evacuation are the first trials he must overcome before his quest even begins. Armageddon is only the beginning of the adventure.
Reviews
This swift, swaggering space-opera debut follows the desperate remnants of humanity into space some 500 years from now after Earth’s annexation (and destruction) by Edric Peregrine and his Aetherian Empire. In the aftermath, Earth’s Captain Elliot Greyjoy finds himself serving at the pleasure of Edric himself, hunting down Terran collaborators, now loose in the galaxy, who killed countless Terran innocents—and stole ships that could have aided in the evacuation of humans. Elliot accepts the assignment, though he keeps his ultimate mission secret: revenge against Edric, both for the Terrans dead at Edric’s command, but also personal losses, like the woman he loved … or the Aetherian princess, Ember, trusted to Elliot’s care after first contact but then assassinated.

On the hunt, Elliot discovers Ember’s spitting image in a Terran orphan, Aurora, who is astonished to discover that, like Ember herself, she can connect to his mind through the “empathic link” shared by Aetherian Royalty. From there, Ideue keeps the story hurtling along as Elliot, Ember, and crew (including the scene-stealing AI Zorac) strive to discover the emperor’s secrets, take revenge, and build an enduring foundation for humanity’s future. Despite the novel’s scope and hefty length, the pages turn quickly, the storytelling powered by something as potent as any antimatter drive: Ideue’s passion for space adventure in a classic vein, for stout heroes, ragtag crews, and bold missions; for epic space battles described with an attention to tactics; for stakes that are both civilizational and deeply personal.

Ideue never ignores advanced tech or scientific ideas, but they also never get in the way of fun or momentum. Elliot’s love of Bablyon 5 and Galaxy Quest is cute, a cue not to take this too seriously—for Elliot, isn’t that like being obsessive about Middle English lit today? The rousing ending, coming some 400 pages after Earth’s destruction, finds what’s left of humanity facing a much wider universe, sure to be explored in later books of the promising New Terrans series.

Takeaway: Fun, action-packed space opera of an Earth captain facing an empire.

Comparable Titles: John Birmingham’s The Cruel Stars series, Gareth L. Powell’s Continuance series.

Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-

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