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Christopher Ridley
Author
Kill Me Now
KILL ME NOW is a satirical whocareswhodunnit centered around Damien, a gay man found dead in the street of the Hollywood Hills, wearing only a ratty pair of briefs and a cherry-blossomed kimono. Here you'll play detective, the testimonials of those closest to him-his best friend, her girlfriend, his two exes, boss, new best friend, and even his cat-laid out before you. These tea-spilling Angelenos will take you on absurd tangents under the guise of providing deep insights into Damien's murder. Sift through a regaling of ridiculous rants, a cacophony of catty comments and a multitude of misinformation to get some semblance of a suspect. Hear their tall tales to discover the many sides of this murdered man, as well as the city he died in. In the end, the question won't be who's lying. It'll be: why are you telling me this??
Reviews
Ridley’s unconventional murder mystery debut unfolds from multiple perspectives, primarily the victim, Damien, followed by a laundry list of potential suspects in his life. The story begins with Damien, thrown out of a window onto the street below, musing on the events that led to his demise—an internal dialogue sprinkled with prosaic commentary on his cat, the design of his house, and a growing awareness that “I’m probably dying… [and] I deserve better.” As Damien’s voice fades, those of his close friends and lovers take over, each sharing their unique perspective on not just the crime, but the life that defined Damien.

Ridley keeps readers guessing throughout this twisty satire, starting with Damien’s best friend, “B,” who chronicles their whirlwind friendship-to-roommates journey—one that ended when their codependency started to interfere with B’s love life. B’s girlfriend, Lily, is also gifted a voice, presenting Damien as overprotective and his relationship with B as “weird… like, an obsessive need or compulsion toward each other.” Ridley crafts an intense picture of Damien’s friend group from there, each with their own axe to grind, and many who caustically observe the unhealthy nature of Damien and B’s relationship. That red herring merits further investigation, though, as the story revolves around several suspects, each more believable than the last.

Every character’s thoughts on Damien, who might have killed him, and on each other are alternately funny and sad, painting a portrait of a troubled young man desperately searching for belonging. Even B, in her own flippant style, recounts the woes of Damien skipping from boyfriend to boyfriend with a touch of melancholy, reflecting on his loneliness and vulnerability, while Damien himself comments “I [knew] better than to let myself end up this way.” This will appeal to readers who aren’t afraid of the hard work that comes with solving a good mystery.

Takeaway: Satiric murder mystery with a wealth of likely suspects.

Comparable Titles: Elle Cosimano’s Finlay Donovan Is Killing It, Rupert Holmes’s Murder Your Employer.

Production grades
Cover: B
Design and typography: A-
Illustrations: N/A
Editing: A-
Marketing copy: A-

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