Zang and Knudsen infuse the investigation with intrigue by crafting diverse characters with idiosyncrasies, secrets, and mysterious pasts. Wolfe's intimate knowledge of the townsfolk aids his interrogations, yet his detachment prompts him to even consider Sarah's parents as possible suspects. Within the confines of the small town, the narrative achieves an expansive feel, prompting readers to wonder whether it's the town shaping its inhabitants or the people’s natures shaping the town itself. Surprises abound: Story Palmer, the town librarian, is also a witch, while Mary has an eating disorder that compels her to consume blood, and the Graff twins may be telepathic.
The authors deftly cultivate a sense of claustrophobia as they suggest the residents' concealed truths. Dialogue is crisp, though some descriptive passages edge toward wordy. As the first in a duology, this entry leaves readers with more questions than answers, but it’s the many tantalizing portents, clues, and seeming impossibility that makes Lost Grove shine. Balancing the central story and a myriad of characters with finesse, the authors expertly set the stage for a gripping conclusion.
Takeaway: Unsettling and surprising paranormal mystery in an enigmatic small town.
Comparable Titles: Marion Myles’s No Time for Goodbye, Mary Stone’s Shadow’s Hostage.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-