Stella is not alone in her efforts. She starts the story as a woman with a full and satisfying life, who enjoys the love and support of her husband and their friends, and along the way she accumulates more friends, mostly by teaming with local matriarch Exie Havelok, who reigns over an enviably wide network. This social aspect helps balance the gruesome descriptions that will be hard for squeamish readers while serving to distinguish Stella from countless hardboiled loner protagonists–Stella is haunted by her past, quite literally, but she is a woman of agency who is capable of saving herself and others from harm.
Though Holt acknowledges the grim reality of violence against women and children ("Seems like graves found in the woods always are girls”), she takes care not to paint all men as evil or all women as fragile, broken victims. At times, the sprawling cast and highly detailed narrative can prove overwhelming, especially for newcomers to crime fiction, and sideline some intriguing plot points. But Holt delivers a deeply disturbing wild ride with some jolting twists and a strong sense of character.
Takeaway: An unsettling thriller with a strong female hero and a high count of bodies and plot twists.
Great for fans of: Michael Koryta, Marsali Taylor, Lisa Gardner.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A