Paradise Undone: A Novel of Jonestown
Watts Freeman, an African-American man from Los Angeles, flees Jonestown on the day of the massacre, Nov. 18, 1978. Thirty years later, he is interviewed for an Oakland radio program on the rise and fall of the Peoples Temple. This interview intersects the novel as Watts reveals more and more about life under the influence of the Rev. Jim Jones and his “white chick” inner circle.
Marceline Baldwin, daughter of a Midwestern minister, an altruistic and inexperienced young woman who plans to use her nursing skills to heal the world, meets the charismatic Jones in Indiana, 1949, and spends the next three decades as his wife and primary workhorse of the organization. When the church moves to California from Indiana in 1965 after attacks on the integrated congregation, she is instrumental in the smooth exodus of dozens of families, black and white, including infants and the elderly. While the couple adopts many children and has one natural child, Jim begins his lifelong sexual promiscuity, sweeping both men and women into his magnetic orbit, all the while preaching sexual restraint. Taking amphetamines to accomplish more and more good works, he becomes dependent on drugs. During this transformation of her husband, Mother Marceline turns the other cheek, works diligently, is faithful to her husband, and makes a profitable business setting up eldercare facilities. Even when her husband impregnates one of the flock, the chief “white chick,” Marceline continues to look at the larger picture: improving lives for the poor, the elderly, and the children of the church who need practical help. She is by her husband’s side up to the lethal last day.
In the mid-1970s, Virgil Nascimento, Guyana’s ambassador to the United States, finds himself drawn to a white American Peoples Temple officer, Nancy, who makes herself available to him in the capital of Georgetown, a 24-hour boat trip from the Peoples Temple jungle home of Jonestown. The group has fled the United States and in 1974 re-established itself in this English-speaking South American nation. Unbeknownst to Virgil, Nancy’s interest in him is purely political; she is one of the many women the paranoid Jones persuades to work as spies, to glean information and influence policy in the nascent and corrupt Marxist government of the former British colony. In Washington D.C., three years after the massacre, destroyed by the ruination of his country caused by the death of nearly a thousand Americans in Jonestown, Virgil will kill Nancy and their child before taking his own life, leaving behind a journal indicting Jones and all who collaborated in the nightmare of Jonestown, including himself.
Decades after the massacre, Truth Miller, who was in the group’s San Francisco office when it happened, will travel to Guyana for the first time and find herself a Guyanese man to impregnate her, all the while pining for what she perceives as a vanished paradise of an interracial utopia in the jungle, which might have thrived had not the U.S. government persecuted Jones and his followers to their tortured end. Despite all evidence, Truth will go on believing in Jones as savior, spiritual father of her son, though life’s difficulties will find her back in New Jersey, a single mother leading an ordinary life trying to pay the bills, remembering the glory days when Jones and people like her could sway an election, helping George Moscone become mayor of San Francisco.
The novel ends with the airing of the interview with Watts, a broadcast which illuminates the story of the Peoples Temple and its spectacular demise while continuing the media exploitation which followed Jim Jones and his followers all his life and well into the aftermath, still powerful today, 37 years later. An epilogue follows, detailing the 40-year anniversary ceremony at the graveyard in Oakland, California, where contemporary political differences among survivors come to the fore.
An epilogue follows, taking place at the 40-year-anniversary commemoration in Oakland at the cemetery where the mass grave of unnamed victims marks the deaths of the Jonestown dead. During this day, all the politics of Jonestown emerge between the various factions, including those who object to having Jim Jones’s name on the plaque of the dead. Some survivors have died, others penning memoirs of their time with Peoples Temple, all spirits of the dead and living communing – happily or otherwise – on November 18 in the East Bay.
Paradise Undone draws on extensive research and interviews, creating a fiction that uses historical fact to tell a cohesive and credible story of the United States’ greatest single loss of civilian lives in the 20th century – 919 American citizens died that day in the jungle. Four protagonists -- two dead and two living, two men and two women, two Blacks and two Whites – tell their stories here, illuminating the formerly shadowed places populated by those who believed in Jim Jones.
Plot/Idea: 9 out of 10
Originality: 8 out of 10
Prose: 9 out of 10
Character/Execution: 9 out of 10
Overall: 8.75 out of 10
Assessment:
Plot/Idea: Paradise Undone is a compelling work of historical fiction based on events in Jonestown in the late 70s. Themes of sexual promiscuity and mass murder loom large amongst an intense political landscape in a striking and frequently horrific reimagining of the past.
Prose: Dawid's text is fascinating, boldly mixing fact with fiction in an engrossing and thought-provoking manner. Interspersed with real life quotes from Jim Jones which add weight and authority to proceedings, Paradise Undone tackles difficult and profoundly affecting themes, magnified by Dawid's gripping and impactful language.
Originality: Paradise Undone is an excellently formed work of historical fiction that blends quotes, interviews and dramatic interpretations of events in late 70s Jonestown. Dawid offers a shrewd insight into the sociopolitical climate at the time, seamlessly blending documentary style writing with absorbing fiction.
Character/Execution: Dawid's presentation of central characters Jim Jones and Marceline Baldwin are particularly convincing and authentic. Her characters are infused with real emotional depth, while the direct quotations from Jim Jones lend the novel a striking level of insightful impact.
Blurb: A riveting work of historical fiction.
Date Submitted: July 02, 2024