Giordano weaves a riveting tale deeply embedded in colonial life and subtly laced with the harsh realities of slavery, nimbly portraying colonialism and the imperial enterprise’s many contradictions, often through probing questions. Her nuanced descriptions and skillful integration of surrealism, particularly through the otherworldly mystique of dream sequences, add a haunting layer to the narrative. The oracle Cleo, a central figure, guides both Charles and Eliza through their respective dilemmas and premonitions, and, as the story delves deep into Eliza’s psyche, readers will also be drawn into her slow descent into madness, captured here in vivid detail.
At its core, The Island King is a tale of two individuals haunted by their pasts, grappling with the guilt that shadows them. Themes of honor and betrayal permeate, fueling the dilemmas they face, and Giordano deftly captures Eliza’s emotional transformation as her feelings for Charles shift from intense hatred and disgust to care and affinity. The saga unfolds gradually, with inner monologues that occasionally drift away, but the rich, period-appropriate details firmly ground the story in its sociocultural context. The looming threat of the governor and Captain Bruin escalate the tension, injecting much-needed pace into the narrative's second half, and Giordano ends the novel on a cliffhanger that will leave readers eagerly awaiting the next installment.
Takeaway: Regency-era historical fiction blending surrealism with harsh reality.
Comparable Titles: Amita Murray’s The Marleigh Sisters series, Natasha Boyd’s The Indigo Girl.
Production grades
Cover: A
Design and typography: A
Illustrations: NA
Editing: A-
Marketing copy: A-