As always, Bailey offers both small-town charm and smoothly escalating tension as Olivia faces a menacing stranger, a cryptic message, and a request to keep Preston in the dark about key events. The mystery will test Olivia’s new relationship as she goes undercover, pretending to write a feel-good piece on carnival life but actually trying to crack the nostalgic facade of Klein Amusements to expose a sordid truth. Tenacious and engaging as always, Olivia must work with sharply drawn tech-savvy friends, newspaper editors, and carnival workers, all while walking a tightrope between her truths and lies.

The high-stakes plot pits an ordinary columnist against a criminal organization with tendrils up and down the east coast, but Olivia's investigative work remains both credible and entertaining, revealing surprises about carnival life, the business of exotic animals, and more. Bailey's writing radiates compassion: "Everybody thinks we're a bunch of dirty carnies,” declares carnival lifer Aunt Bea. “But the people who work here are family.” That encapsulates Bailey's resistance to caricature, though she never lets her warm humanity come at the expense of danger and surprise—or this entry’s pointed moral indictment of exploitation and how justice gets easily trampled in favor of money and power.

Takeaway: Small-town columnist uncovers deadly carnival secrets in memorable mystery.

Comparable Titles: Dianne Scott’s Final Look, Patricia McLinn’s Caught Dead in Wyoming series.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A