Quarter Finalist
Assessment:
Plot/Idea: Like most 12 year olds, Claire Hamilton is discovering who she is meant to be, amid fears that the people she cares about won’t like that version of her. This mystical adventure, set in 1970s Saudi Arabia, follows Claire as she settles into her new life in the desert, facing typical adolescent hurdles—including first love—and more unconventional challenges, like biblically proportioned plagues that seem to be related to Claire in some way.
Prose: Shimmering desert imagery and middle school banter make Call of the Desert sparkle, and Vogel incorporates Arabic words into the convincing prose for added authenticity.
Originality: Set in 1970s Saudi Arabia, Call of the Desert is a love letter to the region’s sands and secrets.
Character/Execution: Vogel captures the poignant feelings of adolescence, including wanting independence but craving acceptance from adults, and Claire's quest for self-discovery is often stymied by her intense fear of rejection from loved ones—universal themes that will resonate with the intended audience.
Date Submitted: August 24, 2024
From the start, Claire comes across as a closed-off child, bullied by her parents; in response, she fashions a set of rules to keep herself out of everyone’s hair (“Hide-What-You’re-Really-Thinking” and “Apologize-Often” are just two of those). Comparatively, she is always at ease around animals, who she tends to gravitate towards, and Vogel scatters this entertaining plot with snakes, dogs, horses, and frogs, all of whom draw out the real Claire and show readers a side of her rarely revealed around other humans.
Since the novel is based in Saudi Arabia, Vogel utilizes numerous references to Arabic words, local customs, and myths, all conveyed via the sensitive gaze of a curious 12 year old. But also intriguing is the proliferation of biblical references, particularly in the second half of the book, which help Claire make sense of the inexplicable events she’s facing and culminate in her “liberation,” as readers see her finally open up and come into her own. The end result is an informative, enlightening YA novel that explores the traditions of foreign culture while bringing biblical stories to life. Lovers of magical realism, animals, and coming-of-age adventures will embrace this heartwarming story.
Takeaway: Beautiful coming-of-age fusing foreign culture with biblical stories.
Comparable Titles: Kami Garcia and Margaret Stohl’s Beautiful Creatures, Maggie Stiefvater’s The Raven Boys.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: B+
A raw, evocative, and atmospheric coming-of-age story.Vogel delves into the complexities of self-discovery through a young girl’s journey in a new culture in her compelling novel. In a new country and school, Claire sees the chance to reinvent herself. Yet, as she tries to hide her true self, the enchanting Arabian desert threatens to expose her secrets. Accompanied by a magical snake, Claire faces challenges that could shatter her carefully crafted facade or lead her to love and acceptance.Claire’s raw authenticity anchors the story. Her vulnerability, curiosity, and quiet courage unfold naturally as she struggles to adapt to a foreign world and untangle the question of who she truly wants to be. Vogel deftly captures Claire’s evolution through stark yet tender moments. The crisp prose vividly depicts the Arabian desert, reflecting its relentless nature. As Claire undergoes an internal transformation, the desert becomes a powerful symbol of both cruelty and splendor. At its core, the story explores identity, resilience, and the search for common ground across cultures. Vogel weaves these themes with restraint, allowing them to emerge through the characters’ experiences. The result is a powerful examination of the human spirit’s strength and adaptability in adversity. A must-read.
10/2/2024
Call of the Desert: Crossing won Second Place in Fiction-YA-Fantasy at The BookFest, which took place the weekend of October 26–27, 2024.