"Lyrical, tense, and unforgettable ..."
It's early 1997 on Marcosta Island, and time is of the essence. Mayor Jake Crawford has been blindsided by Derek Nielsen, the billionaire resort developer from Tampa. If left unchecked, Nielsen’s latest scheme will rapidly undercut efforts to preserve the island's old Florida culture and native beauty. The situation appears bleak until a surprising opportunity arises: a famous Hollywood director has become inspired by the tragic tale of the island's former bridgetender, a decorated World War II fighter pilot. Jake pushes for the movie to be filmed on the island, believing the related activities and publicity will disrupt Nielsen's momentum. The rush to action leads to unexpected consequences, throwing Jake’s mayorship and personal life into a precipitous downward spiral, threatening the gravest of outcomes.
Beech plunges readers into a complex ecosystem full of characters with their own motivations, capturing the tensions of a world on the verge of change—Marcosta Island can do little to stop the onslaught of developers, with even the town’s referendum banning the state from building a bridge to the mainland being challenged, thanks to Nielson’s connections in the legislature. But Jake and a slew of individuals around him are hell-bent on trying to stop what might seem inevitable. Beyond that urgent throughline, Beech relishes local color—shrimpers; pelicans; a bicycle cop noshing donuts at the Spud Hut—and smartly explores themes of filmmaking, love, sickness, care, and piracy on the lawless sea.
That expansive vision, along with some mystery and suspense elements, at times diminishes narrative momentum, but Beech ultimately reels in all the loose ends. And his central point—how to adapt to development without selling your soul—comes across admirably. Lovers of stories about islands, Florida, and development will enjoy this entertaining novel.
Takeaway: Compelling novel of a mayor fighting to preserve a Florida barrier island from developers.
Comparable Titles: Patrick D. Smith’s A Land Remembered, Peter Mathiessen’s Killing Mister Watson.
Production grades
Cover: A-
Design and typography: B
Illustrations: N/A
Editing: A-
Marketing copy: B+