The novel is as sprawling and unpredictable as its subject, a mansion with more rooms and curiosities—like its bewildering abundance of cupboards—than Kevin can count. Hints come early about elements that might power the mysteries (a chance encounter with a beautiful woman in China years before; the Swan family’s connection to a cursed ancient knife), but even after Kevin brings some experts in supernatural weirdness, a Caltech prof and a “witch” named Spooky who’s “one fry short of a Happy Meal,” this chatty, discursive novel never resists a joke or charts a straightforward storytelling path. Kevin engages in patter comedy routines with his friends and a pair of unhoused day laborers, and his excursions via Harley, Jaguar, and 1950 Pontiac Chieftain are lovingly detailed.
Readers interested primarily in the mysteries will find the pacing slow, with the comedy clashing with the darker material. When horror elements take center stage (as in scenes of exploration or a setpiece séance) Cooper demonstrates wicked inventiveness and timing. He can spring a jolt, a gross-out, and a surprise.
Takeaway: Sprawling, surprisingly comic novel of a possibly haunted estate.
Comparable Titles: Grady Hendrix’s How to Sell a Haunted House, Edgar Cantero’s The Supernatural Enhancements.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B+
Marketing copy: A-
