Set in a near-future of economic collapse and a devastating “epocalypse,” this sweeping, hugely ambitious tech-thriller and thought-experiment, Martorano’s debut, considers urgent questions of humanity’s future, centering questions of faith and science, AI and consciousness, and more. “Where will we find meaning?” asks Ping, a Chinese factory worker facing the rise of automation and robots who can create themselves, “without human intervention, encompassing design, production, assembly, and packaging.” The material is heady, alive with technological breakthroughs, terrorist attacks, human minds outliving their bodies, a world-shaking treatise that “distill[s] God from religion,” and MARTIN, the computer intelligence responsible for the “greatest atrocity in human history.

For all the bold ideas and epic length, Martorano spins a tense and surprising thriller story of warring factions. There’s the secular elites in the domed paradise Babylon, complete with its own constitution, an amphitheater named after Homer, and founding “Giant”s whose consciousness, through a complex ascension ritual, can now live forever. They’re attacked, on occasion, by the hardscrabble, tent-dwelling New Amish, led by a preacher named Jeb Thompson, whose past is connected to Babylon—and possibly the world’s—greatest failing. That is the creation of super AI MARTIN, the “greatest military mind in history,” who 28 years before the novel’s present killed millions.

The stakes are both intimate and civilizational as Jeb seems determined to boot MARTIN back up. The climactic confrontations and battles, involving robot “Centaur” tanks, are exciting, though the plotting is perhaps inevitably dense and overstuffed with incident and backstory. But what shines here is Martorano’s concerns for the hearts and souls of his people, from a displaced laborer who learns to live off the land to the presciently named Eve, the woman accused of murder, who strives to live a life of faith. That empathy extends to even the immortal and artificial minds, as Martorano strives throughout to find the human (and perhaps the God) in the machine.

Takeaway: Humanity shines through this epic SF thriller of near-future division and automation.

Comparable Titles: Nick Harkaway, Mark Germine.

Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: B

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A quick summation of the plot of Kind's delightful debut suggests how its playful, densely nested rhymes read on the page—and will enliven storytime. There’s a party happening at the zoo, but Sue, the blue kangaroo, won't be able to attend, as she has lost her shoe, which traveled to Timbuktu … and, perhaps inevitably, even Peru. Soon, Cuckoo Lou (with the big tattoo) flies in to request help for some friends, declaring, with Seussian flair, “Boo has twin red / boo-boos, Sue. Boo-boo one / and boo-boo two.” Fortunately, problems like that can be helped if Sue gathers some "tall bamboo” and crafts solutions. Full of humor, fun animal characters, lively verse that’s a joy to read aloud, and a warm lesson about being helpful to others, The Lost Orange Shoe is a tongue-twisting pleasure.

Kind's short lines and rapid rhymes are a joy, as Sue patiently tackles problems faced by her amusing friends: Hippo Pou, who has ripped her tutu right before a big performance; Lou’s nephew Boo, who needs a bamboo crutch; and on and on. Celebrating innovative thinking, crafty ideas, and patience within friendship, Kind showcases the truth that helping others sometimes leads to helping yourself as Sue makes smart use of the bamboo, making a canoe so that Moo can cross a river, or using it to make stew for her sick friend named—wouldn’t you know it!—Chu.

Shirin Hashemi’s crisp, appealing character design deepens the fun, with each animal boasting memorable details (Sue’s scarf, sneezy dog Chu’s monogrammed hanky, Pou’s pink tutu) and big, relatable emotions that drive home the beats of the story. Taking in the drawings proves as much fun as speaking lines like “Pou has torn her tutu, Sue. / Right before her big debut!” Also included: fun guided questions to check for comprehension and to further engage young readers with Sue's tale.

Takeaway: Problem-solving and tongue-twisting rhymes power this delightful debut.

Comparable Titles: Eve Bunting's Have You Seen My New Blue Socks?, Sarah Seung-McFarland's Where The Lost Things Go.

Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: B+

Click here for more about The Lost Orange Shoe

Hamilton’s gore-drenched debut urban fantasy thriller, his first in the Shattered Dogma series, pits a guilt-riddled detective against a vicious serial killer whose unstoppable spree threatens to drown the city of Silvergate in chaos. James Black is a good cop fighting to keep the streets safe, but the enigmatic Rune Killer has other plans. As the bodies stack, Black and his partner, Detective Jenna O’Malley, turn to the only clues they have: strange sigils carved into the victims that point to a connection with an ancient civilization devoted to a deadly form of justice that threatens everything Black believes in.

Readers will squirm at the sickly-inventive means by which the Rune Killer dispatches victims, with scenes soaked in viscera and a palpable brutality. Black is an effective, if familiar, lead as the dour-yet-determined noir detective, whose visits with his institutionalized brother, Samuel, lend a tender vulnerability to his otherwise monochromatic portrait. Black’s partner, O’Malley, alongside their fellow detectives Jones and Ramirez, however, rarely escape the gravity of Black’s ethos, operating more as thematic enactments of duty and struggle than fully relatable characters. The plot’s meditations on the restless battle of good vs evil paints an appropriately taxing picture of Black, though some readers may lose interest in the drawn-out proceedings by the novel’s end.

Hamilton flourishes when envisioning gruesome contraptions and building a nihilistic, brooding framework. The Rune Killer’s reverence for the ancient Ordo Iustitiae and supernatural flourishes adds welcome texture to familiar roads, though the book’s procedural aspects are hindered by overly convenient staging, sacrificing suspense at times while lessening reader commitment to Black and his cohort of beleaguered but unwavering cops. Still, there’s plenty of potential brimming in this moody, violent urban thriller, where detectives are inherently good and the enemy is a viciously satisfying rendering of “evil in its purest incarnation.”

Takeaway: Gruesome noir detective story that flirts with supernatural elements.

Comparable Titles: C.L. Thomas’s The Hollow, John Connolly’s The Black Angel.

Production grades
Cover: A
Design and typography: B+
Illustrations: N/A
Editing: B-
Marketing copy: A

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Retired psychotherapist Goodbrand spent his career helping individuals face their problems. For his second book, he sets himself a bigger project: assessing the essential problem confronting humanity. Goodbrand calls this work “an experiment in thinking about our earthly presence from outside our human point of view.” But, as he acknowledges more than once, our human point of view—the product of our brains that are themselves the result of millions of years of haphazard biological evolution—is all we have.

To solve this conundrum, Goodbrand relies on science, based on observation and evidence. He gives a brief but thorough overview of the formation of the universe and the development of biological life, rooting humans firmly in the cycle: “We are part of nature which is embedded in us as we are embedded in nature.” He then ties humans to what he calls the “arc of the cosmos”: “the elimination of matter” through the burning of energy—in other words, the unraveling of all life. This seeming paradox, that the point of life is to destroy life, in Goodbrand’s view, lies at the heart of human misery and conflict.

Goodbrand dedicates many pages to dismantling humanity’s view of itself as the pinnacle and point of life, saying our “self-centered exceptionalism” leads us to “cruelty and destructiveness.” Yet those traits, he notes, seem inevitable, as we follow our own ruthless survival instincts and therefore fulfill the cosmos’ larger aim of taking everything apart. Accordingly, Goodbrand doesn’t come up with a solution to life’s woes so much as propose a temporary fix: relative safety for the greatest number of people achieved through technology and adherence to scientific precepts, combined with a realistic acceptance of our fleeting place in a larger scheme that will end in universal extinction. It’s not the most optimistic place to end up, but for those readers with a hardy existentialist bent, it should prove enlightening.

Takeaway: Insightful, unsparing look at humanity in a universe hostile to life.

Comparable Titles: Marcelo Gleiser’s The Dawn of a Mindful Universe, Yuval Noah Harari’s Sapiens.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-

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In this surprising YA portal fantasy debut, young Manhattanite Aries D’Angelo Lacroix goes from reading a book titled Faeries, Fae, and Magical Beings to living it as he discovers a strange clockwork flower in Central Park that whisks him away to Underhill, a subterranean realm where all of mankind’s fantasies and myths live in peace… or they did, until the arrival of one Adolf Hitler. (Aries’s response to this: “"Hitler, like World War 2 Hitler?”) As a prophesied Guardian, Aries learns that finding six clockwork artifacts and saving the day is up to him and his newfound friends: Grip the imp, dwarven blacksmith Thelgrim, and punk-rock pixie Aluwyn. That’s easier said than done in Stevens’s chaotic fantasy, as they’ll have to survive dragons, commando goblins, harpies, and a decision that could alter Aries’s life forever.

A Clockwork Flower offers an appealing riff on the classic, tried-and-true portal fantasy quest narrative, complete with a found family of oddball adventurers whose bonds, for readers, may prove more enchanting than the adventure itself. Aries’ pleasure in befriending “magnificent” (“albeit, terrifying”) creatures shines through, as does Stevens’s—the novel pulses with a deep love of fantasy, its fey and tricksters, and of chapter-ending cliffhangers that keep the momentum barrelling along. While the fleet pacing is admirable in a genre known for its protracted epics, things here at times feel rushed, both in plotting and prose, and a lack of polish, from repetitive phrasing (”My heart felt like a drum. It pitter-pattered and began to flutter like a butterfly.”) to the presentation of dialogue, will prove a hurdle for readers.

That’s too bad, as the book is alive with love, invention, and a spirit of exuberant adventure. Stevens’s time spent traveling shows in his fondness for the varied lands the heroes explore (and the book’s accompanying map), like the purple grasslands of Forever Fields, or the gleaming techno-magical city of Telmara. There’s promise, here.

Takeaway: This portal fantasy's colorful cast and imaginative world deserves more polish.

Comparable Titles: John Van Stry’s Portals of Infinity, Rhaegar’s Azarinth Healer Series.

Production grades
Cover: B-
Design and typography: A-
Illustrations: B-
Editing: C
Marketing copy: B

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Musician Himeda continues the warmly creative Bardic Isle Series, set in a world where music is literal magic. Kaelin is a teenager with gifts that could make him a great power, but like anyone with enormous potential, he needs training. He seizes the opportunity to learn from the four Masters of the Bardic Isles. But forces within the Bardic Order consider Kaelin a threat, and it all goes wrong when he’s falsely accused of stealing a Master’s tuning fork—and, until his judgment, gets placed under an “instrumental restriction,” meaning he can’t even play his flute or harp. The apprenticeship he longed for is now something like being out on bail, as the men whose respect he needs think he’s a thief.

As in the first volume, Himeda’s love for music shines throughout, and the reverence her characters feel for it is matched by the author’s interest in the art and craft of making it, from tone to tuning to the “shades of expression” coaxable from harp strings and vocal cords. Even as he can’t actually play, Kaelin eats, drinks, and dreams music as he moves from one Master to the next. The stakes are high, involving the future of the Order and more, but also intimate, charting in lively, engaging detail Kaelin’s coming of age as a person, creative artist, and wielder of magic.

The prevailing sense of humanity, of characters who respect even their adversaries, edges the series toward cozy territory, but vivid prose and surprising magic—“low, undulating minor arpeggios” weave around one character, “pulling him gently up and out of his home”—will please lovers of any thoughtful fantasy, The momentum slows for music lessons, but Kaelin is easy to cheer for, a young man of bone-deep goodness, eager to enter harmonious states of learning and creation. This sequel offers enthralling world-building, lush accounts of music and magic-making, and an ending that is truly suspenseful—an especially good trick given that the climax involves men sitting around debating.

Takeaway: Music is magic in this heartening fantasy series of a bard’s road to mastery.

Comparable Titles: Emma Bull’s War for the Oaks, Mary Gentle’s The Black Opera.

Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-

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This brief historical fiction debut by Grey reimagines Julius Caesar’s life and military campaigns as driven by Vampyre influence. In a detour from similar books, Grey’s Julius Caesar is a study of contradictions: his battles—and political decisions—hinge on the chilling machinations of behind-the-scene Vampyres, though Caesar detests their methods. But even as he bemoans their presence in his life, he reflects that “their advice and manipulation were as responsible for his rise from a disgraced family to one of the most powerful men in all of the Republic as his prowess in battle and ability to inspire men.”

Despite a life lived under the threat of destruction if he disobeys the Vampyres, Caesar’s deep, abiding love for Rome shines throughout Grey’s narrative, serving as a catalyst for his efforts to rid the city of Vampyre rule. Here, his passionate coupling with Cleopatra is formed on their joint desire to expunge Vampyres (referred to as Magicians in Egypt) from their countries, and, as the pair craft secret plans together while fighting the very real dangers surrounding them, Caesar becomes intimately familiar with his eerie enemy—an enemy that Grey casts as tricky, powerful, and, surprisingly, mortal.

Though some scenes stretch credulity—Caesar and Cleopatra’s Nile cruise turns into a Vampyre-catching quest, and after a vicious beating by an irate Vampyre during his North African campaign, Caesar sends out a body double in battle—Grey leaves readers with thoughtful reflections on whether otherworldly persuasions may have affected Caesar’s well-known tactical movements and political shifting. Just as Grey’s Caesar is on the cusp of eliminating his supernatural adversaries, Grey paints him into a desperate corner, turning his desire to break Rome free from Vampyres as the reason for his own downfall. The epilogue dangles other potential historical run-ins with Vampyres, offering readers the possibility of more to come from Grey in the future.

Takeaway: Reimagining of Julius Caesar’s life, dictated by Vampyre influence.

Comparable Titles: Seth Grahame-Smith’s Abraham Lincoln: Vampire Hunter, Brian M. Stableford’s The Empire of Fear.

Production grades
Cover: A-
Design and typography: A-
Illustrations: N/A
Editing: B+
Marketing copy: A

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Kelly’s piercing collection of memoir pieces and poems leaves the reader with a vague ache in the heart. Jim, orphaned after his parents separate, is raised by his uncle and aunt in Southern Oregon, where his grandfather also comes to live with the family. In some ways it is an idyllic childhood, roaming the woods and working the farm, hunting and listening to his grandfather’s tales. But as he tries to live “an honorable life,” Jim also feels an undercurrent of loss as he yearns for his father, mother, and brother. As a veteran who is ultimately discharged with “no medals, no wounds, no horrific nightmare memories, but with a sense of the machine of military mind that operated on fear and redoubled itself with vast sums of money,” Jim contends and tries to come to terms with collective guilt, often doubting if humanity was humane enough.

While the material is often searching, many of the poems and pieces deal with the practicalities of logging. Kelly deftly juxtaposes the often violent lives of the people who make a living cutting down forests with the violence done to the trees, likening the work to nothing short of genocide. Kelly presents an empathetic insider’s account of hardworking, hard-drinking, generally short lives. Characters who linger include Jim’s grandfather who gets his son’s small farm up and running within a year of moving there; Richard Long, a six-foot-seven giant with “dinner-plate-size[d] hands”; and of course the towering conifers—anyone encountering one in the Cascades, he writes, would “approach this presence with awe.”

Lyric and moving, both prose and poems are shot through with an unnamable pain, a longing for something intangible. Kelly compares the evil in this world to a minotaur trapped in a maze, often breaking out and causing untold destruction. Kelly’s honest and unsparing gaze doesn’t absolve his own countrymen too, but he sees hope in the philosophy of universal love. A poignant read.

Takeaway: Profound, genre-crossing memoir of farm life, logging, and war and its costs.

Comparable Titles: Richard Powers, Howard White.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-

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Darland’s bold and candid debut offers readers an intimate look at his journey through a life marked by chaos, trauma, and eventual triumph. He recounts painful childhood experiences of abuse at the hands of his parents and stepfather, sharing how he ultimately broke free from this cycle of trauma to become a successful business owner and dedicated family man, encouraging readers that “everything starts with you evolving into a better version of yourself.” Along the way, the friendships Darland builds—and the acts of kindness he receives from strangers—highlight the stunning power of empathy and human connection.

From a young age, Darland finds himself in a toxic environment, turning to alcohol as a means of escaping the dysfunction and abuse in his home. That search for fulfillment leads him down a path of destruction, chasing freedom and adrenaline through various vices. Yet Darland’s resilience shines through as he embarks on a journey of self-recovery, navigating through odd jobs, serving in the Iowa Army National Guard, and eventually building a thriving business, all testaments to his grit and perseverance. In lyrical prose, he describes how “the ashes of my chaos… formed a beautiful forest for me to venture into and draw from different trees of wisdom, knowledge, and faith.”

At its core, this memoir serves as a stark reminder of how childhood scars can persist into adulthood, perpetuating a harmful cycle if not confronted and healed. Darland’s reflections are interspersed with life lessons drawn from deep introspection, teaching readers the importance of letting go of their past to prevent trauma from defining their future. Written in a conversational style that feels much like advice from a trusted mentor, Power in Chaos offers readers an inspiring road map to overcoming adversity, ensconced in the powerful message that personal strength lies in embracing and harnessing the chaos within.

Takeaway: Bold message of harnessing inner chaos to overcome trauma.

Comparable Titles: Anya Liftig’s Holler Rat, Casey Gerald’s There Will Be No Miracles Here.

Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-

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Setting up a classic middle grade hero’s journey, Nuri introduces readers to Deniz Sayber, a boy whose desperate family situation leads to the revelation of his own magical powers—and casts him directly into the fire of an age-old struggle between good and evil. When Deniz turns eight, his father’s mounting debts threaten the family, forcing them out of their beloved home and into an apartment in a new town. While Deniz copes with the loss of his old friends, the family falls further into disarray, until Deniz finds himself—along with his mother and sister—relocating once again, to a strange, mystical town called Seventh Stream.

That sparks Deniz’s fantasy journey, played out in an enchanting valley where it’s spring-like year-round, nature puts on strange light shows, and a friendly rabbit is more than it seems. As Deniz begins to realize his new home is far from typical, the landlords—the Hatchers—take him under their wing, revealing he is a Sventur and has inherited magical abilities. Under their tutelage, he learns that forces larger than himself are at work, feeding on the world’s “suffering and fears,” and have their sights set on convincing children to cross “the line between good and evil.” As Deniz prepares for this final battle, Nuri probes how souls can be damaged by life’s experiences—and whether cruel people can ever change.

Ending with a hint at more to come in this complex world, Dragon’s Heart embraces deep emotional themes within a familiar framework. Genre fans will recognize many of this debut’s fantasy elements, though Nuri caches these within intriguing magical lore. Issues with pacing and stilted dialogue will require patience from readers, but for those dedicated to fantasy that inspires, Dragon’s Heart makes a stirring promise that “we’ll cry many more times in our lives, but we mustn’t break.”

Takeaway: Troubled boy discovers magic powers in time to save the world.

Comparable Titles: Jenny Nimmo’s Midnight for Charlie Bone, B.B. Alston’s Amari and the Night Brothers.

Production grades
Cover: B
Design and typography: B
Illustrations: N/A
Editing: B
Marketing copy: B+

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Santa Claus runs into a heap of trouble in this unconventional holiday adventure by Plecas (author of Keith Lives!). Despite inflation and stiff competition from Amazon, Santa is far from “outdated and irrelevant”—a fact he is quick to tell his financial advisor, Mr. Pickle, when their pre-Christmas meeting detours into how to cut costs and increase efficiency. But that’s just the beginning of Santa’s problems. His first Christmas stop feels all wrong—and quickly devolves into quite the mess when the homeowner, an elderly man with a chip on his shoulder, catches Santa in the act and promptly concludes that this “large black man in a bright red suit” is a home invader.

From there, it’s a medley of mayhem for the jolly old elf, as Santa endures attempted murder, dangerous street fights, and the possibility that Christmas could be canceled this year. Luckily, Plecas depicts Santa as calmly steadfast through each predicament and gifts him with a cadre of entertaining characters to help turn his night around: there’s young Joy, whose only Christmas wish is that her deployed father could return home for the day; Lulu and her cane-bearing, don’t-mess-with-me Meema, who comes to Santa’s rescue in more ways than one; and the dashing Denzel, a former Army Ranger now serving as an attorney. Even as Santa faces overwhelming craziness, his entourage proves up to the challenge, helping him find his way back to his sleigh, circling over the last house he dropped into, per their Christmas rescue plan in the event something goes awry.

Readers will find all the important holiday messages here, from the need to “see the world through the eyes of a child” to the belief in something greater than yourself. Plecas ends with a sweet reminder that it’s never really about the presents under the tree—it’s about the love in our hearts.

Takeaway: Santa endures sleigh loads of danger to save Christmas.

Comparable Titles: Eoin Colfer’s Juniper’s Christmas, Ben Miller’s Diary of a Christmas Elf.

Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B+
Marketing copy: A

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In this engrossing fourth book of Domowitz’s Getz Parker Magical Mysteries series (following Murder of a Martyr), readers embark on a colorful murder mystery where politics, religion, and alchemy collide, with deadly results. When information securities magnate Getz Parker is asked by four strangers to locate the alchemical Name of God, he turns them down to focus on supporting Will Kraken, presidential hopeful and Synodal decentralist. After an attempt on Kraken’s life leaves one of the four dead, Parker finds himself entangled in a conspiratorial web of power, ideology, and Heavenly pursuits where everyone’s a suspect—and the Name of God sits at the bloody center.

Readers will find themselves hypnotized by the anachronistic futurism of Domowitz’s setting, mixing Victorian and Steampunk aesthetics with sci-fi trappings like body-mods, AI, and virtual realities, to create a unique backdrop that teems with vibrant characters and an elegantly complex, all-too-believable political landscape. The plot occasionally gets lost in the weeds of its conspiracy, and some readers will struggle with the esoterica threaded throughout, yet Killing Kraken marches on with populist aplomb, grounding itself via the often humorous, always colorful observations of Parker’s AI assistant who serves as narrator.

With a background in financial technologies, Domowitz puts the “real” in magical realism: the story’s alchemical mysticism exists firmly within the bedrock of its political machinations and organic human interplay, where, to quote the author, “detectives shall well and truly detect.” The prose is both evocative and economic, building fast yet effectively, and results in beautifully lived-in characters and a thrilling roller-coaster pace that will keep readers turning the pages until the very end. Mystery may beat at the heart of Killing Kraken, but it’s no guesswork to see that Domowitz has crafted a work of inspiring and engaging science-fiction that readers will greatly enjoy.

Takeaway: Alchemy and politics prove a murderous mixture in this rousing adventure.

Comparable Titles: Michael Scott’s The Secrets of the Immortal Nicholas Flamel series, Liam Fialkov’s The Newton Code.

Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A

Click here for more about Killing Kraken

Scott's debut, set in the mid-21st century, launches readers on a thrilling journey into the future of space exploration. The story follows the crew of Arcadia 7 on a NASA mission to Mars, as they navigate the complexities of interplanetary travel, personal relationships, and the relentless pursuit of scientific discovery. Addy and his wife Bria, on track to depart for Mars with NASA, are thrown for a loop when disruptor Noel Roma bursts onto the scene, offering them an alternate mission with more money and more risk—and a goal of colonization instead of research. Complicating matters further is Addy’s ex-girlfriend, Scarlett, whose shocking personal news for Addy puts the entire mission at risk.

Scott's narrative is a skillful blend of hard science fiction and human drama. The technical details of space travel are meticulously researched, providing a realistic backdrop for the story's events, and Scott’s background in high-tech is evident in his precise descriptions of spacecraft operations and the challenges of interplanetary living. Characters are vividly realistic, each with their own motivations and flaws, none more so than Addy, whose obsession with being the first to land on Mars drives much of the plot—and his own downfall at times. His relationship with crewmates, particularly Bria and fellow astronaut Sally, add surprising depth to the story while highlighting the psychological strains of long-duration space missions.

Tripping Toward Mars shines when illuminating the ethical dilemmas that crop up during space exploration. Addy’s willingness to conduct an unauthorized engine burn to beat the Chinese to Mars raises questions about the cost of ambition and the boundaries of acceptable risk, and Scott presents such complex issues in a way that encourages readers to ponder humanity’s future in space. ​This is not just a story about reaching Mars; it is a reflection on human nature, the drive for discovery, and the sacrifices made in the name of progress.

Takeaway: Entertaining space mission augmented by human drama.

Comparable Titles: Kate Rauner’s Glory on Mars, Richard Rimington’s Defiant Space.

Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-

Click here for more about Tripping Toward Mars

Originating as a father's never-sent letters to his teenage children from war-torn Ukraine, this inviting, upbeat compendium of life lessons and advice for young adults urges readers to nourish, boost, master, and “level up” skills in crucial areas like mental health, relationships, financial strategy, and entrepreneurship. Lovingly presented in a way that befits its origins, Scott’s guidance offers actionable advice to accomplishing life goals and curating personal success, with an emphasis on the things it takes grown-ups years to learn themselves, if they ever manage to do so: adjusting one's mindset, maintaining a healthy lifestyle through nutrition and wellness, and building support systems to forge relationships that will lead to lasting wealth and thriving lifelong happiness.

Scott lays out steps toward crafting a well-rounded, well-lived life, noting in a section on Wealth Management that he had to learn that “money is just a tool, not the ultimate goal.” Self-assessment tools and the author’s warm, coach-like approach offer guidance toward determining what, for individual readers, one’s ultimate goal might be. The 50 short sections here share motivational steps and experienced insight as Scott presents "a buffet of vital knowledge.” His guidance ranges from big-picture to granular, with an emphasis on the results that accrue, over a life, from early investment in changes like developing healthy sleeping habits, journaling, and performing exercises to increase memory functions and boost brainpower.

Scott’s fresh COPE formulation (capturing, organizing, producing and evaluating) offers a framework for becoming more productive and fulfilled in life endeavors. It’s a welcoming tool, of a piece with Level Up’s easy-to-follow topical lists, interactive questions, and entertaining illustrations by George Miroshnichenko. Blending the mindful with the practical, Scott focuses not just on practical tips about entering the workforce or planning for retirement but on the fulfillment of the mind, body, heart and soul. The result is an encouraging roadmap to growth and intentional learning.

Takeaway: Thorough, inviting guide to starting out in life for young adults.

Comparable Titles: Jaqui Meyer's Adulting Life Skills for Young Adults, Sean Covey's The 7 Habits of Highly Effective Teens.

Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A

Click here for more about Level Up! 50 Game-Changing Life Skills for Young Adults+

Meslin’s debut is an ambitious and frighteningly convincing international thriller set against the chaos and promise of the Soviet Union's collapse. When a highly dangerous portable nuclear weapon is stolen in the Soviet Republic of Moldavia in 1991, the world's superpowers rush to discover who is behind the theft and what intentions they harbor, creating a high-stakes political game that spans continents and reaches into space. Meslin persuasively puts readers in explosion-rocked streets, Parisian salons, St. Maarten casinos, and the Oval Office, illuminating the nuances of splinter groups, arms sales, and the tradecraft of diplomacy and espionage among a far-flung cast. “One can’t simply waltz into a Western capital sporting a tactical nuke and expect to leave it wherever he likes,” the Director of Central Intelligence declares, deep into the nerve-wracking story. He’s immediately corrected: “Simon, that seems to be precisely what they have done.”

Meslin demonstrates an impressive knowledge of Cold War politics and nuclear security protocols, bringing authenticity to the complex plot involving a U.S. Nuclear Emergency Search Team, a veteran Mossad agent, a determined KGB investigator, and classic spy-thriller twists like a sleeper agent, presented with welcome plausibility. He particularly excels in both presenting and making dramatic the technical aspects of nuclear security and satellite surveillance, all without letting his expertise slow down narrative momentum. Especially engaging is the depiction of the Soviet Union's final days, capturing the political tensions and power vacuum that could make a nuclear crisis possible.

Reflecting the global crisis, the narrative frequently shifts between Moscow, Washington, Israel, geostationary orbit, and more, creating a brisk but at times disjointed reading experience. Still, the challenge of keeping up with the many interested parties will pay off for lovers of smart, real-world thrillers, as Meslin builds to a tense climax that effectively pays off its many plotlines.

Takeaway: Sophisticated thriller of international crisis management as the Soviet Union collapses.

Comparable Titles: Owen Matthews’s Black Sun Trilogy, Brian Freemantle’s Bomb Grade.

Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A-

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Okun sets out to coach readers on the ins and outs of commercial real estate development in this down-to-earth debut, covering areas such as net operating income, capitalization rates, upside potential, and more. Drawing inspiration from the impromptu, “back of the napkin” analytics that often happen when colleagues casually discuss property values, Okun—in a refreshingly direct and plain-spoken style—shares step-by-step instructions to assigning value while breaking down how that process differs from land purchases to owner/user properties to a range of investment properties (office complexes, shopping malls, and the like).

Decades of experience and a knack for simplifying complex topics make Okun’s advice easy to digest as well as informative. He spices the material with hands-on examples, useful checklists, and careful attention to jargon that readers may be unfamiliar with, including a particularly helpful outline of the language commonly used in lease clauses. His advice is technical, straightforward, and applicable to a range of situations, as in his summary of the important points to research before jumping into different leases (retail spaces should always be tailored to location, he writes, while industrial areas can focus more on specifics like ceiling height or access to roll-up doors).

For readers who want to move into sales techniques, Okun delves into those waters as well, sharing his own sales training and a five-step model—complete with sample open and closed-ended questions—to help followers close deals more effectively. He wraps each chapter with a mini quiz designed to enhance information retention (answers are included at the end of the book) and closes with an exhaustive glossary of relevant terms. Throughout, his central emphasis on setup as the key to success—“for every type of property, there are specific items that you will need BEFORE you try to assess and value a property”—is persuasive, and readers will leave feeling knowledgeable, capable, and prepared.

Takeaway: Down-to-earth guidance on commercial real estate development.

Comparable Titles: Robert A. Wehrmeyer’s The Complete Guide to Developing Commercial Real Estate, Rob Finlay’s Beyond the Building.

Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: B

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