"My story is an example of the impact of trauma on mental and emotional well-being," Raphael writes. Attempting to cope with the loss of her mother at the tender age of 13, and later being diagnosed with Crohn's disease, Raphael found herself escaping her problems and pain with alcohol and drugs. From her own recollections, she counsels parents that it’s not just obvious, life-altering events that push teens into addiction; small, everyday stresses play a role as well. Raphael encourages parents to expend their energy on listening and understanding the “whys” behind their teen’s behavior, and to "refrain from blaming, shaming or judging.” To help parents get to the root of the problem, she provides case studies, scientific background on teen brain development, warning signs of abuse, and more.
Interactive exercises scattered throughout Raphael’s guidance will help parents implement her advice, and she ends chapters with review summaries as well as journaling exercises for parents to organize their thoughts and emotions. From moments of crisis to everyday ups and downs, Raphael’s guidance covers all the necessary bases to help parents open healthy lines of communication, set clear boundaries, and create a safe space for teens as they navigate into adulthood.
Takeaway: Step-by-step guide for parents of teens struggling with mental health and addiction.
Comparable Titles: Joani Geltman's A Survival Guide to Parenting Teens, Frances E. Jensen's The Teenage Brain.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Illouz-Eliaz’s background in plant biology shines throughout this informative book, as Lona’s mother never shies away from using scientific terminology—like meristem, genome, and whorls, among others—to explain the processes that make Arbi so special. Some of those lessons are remarkably adaptable to Lona’s own experiences, including how plants confront stress, a helpful example that reminds Lona of her own sadness when her family moved to San Diego and she was forced to make new friends. When she reflects on a plant’s amazing capabilities to adjust to their environment, Lona wisely wishes she “was as flexible as plants.”
Though the terminology may be challenging for younger readers, Illouz-Eliaz breaks the lessons into bite-size pieces, allowing Lona’s childlike curiosity to drive each one. It’s sweet to see her mother’s trust that she can grasp the complex information, and Imily Mitrani’s understated graphics help illustrate all that Lona is learning—from plant diagrams to seed representations. Arbi is so much more than a model plant—she’s the spark that ignites Lona’s thirst for learning and inspires her, in the end, to gift her classmates their own Arbi seedlings for class graduation, a chance to “[carry] home a tiny pot with a green beginning.”
Takeaway: A fascinating lesson on plant biology, through the eyes of a young girl.
Comparable Titles: Benson Shum’s Little Seed, Helena Harastova’s How Plants Talk.
Production grades
Cover: B
Design and typography: B+
Illustrations: A-
Editing: B-
Marketing copy: B
Delving into the complex psyche of a middle-aged woman starting over, Uno creates a deeply relatable protagonist struggling to let go of her past. Therapy helps Sachi deal with unresolved sexual trauma from her youth while resurrecting her inner child—who she aptly names Sunshine—as she opens herself up to new ideas about life, sex, and relationships. Through family dynamics, self-awareness, and therapy, Uno’s thoughtful fiction debut explores the multitude of ways the outside world can influence one woman's mental health, even as she makes a concerted effort to grow on her own terms.
Sachi's story—often unfolding through Sunshine’s voice—quickly evolves into a broader pursuit of meaning and purpose, and readers will appreciate her raw and vulnerable honesty. As she wrestles with her inner demons—and experiments sexually—Sachi reawakens the buried forces driving her mental health, sexuality, and ideas on love. “It took me forty-something years to create my universe with my bare hands and uncontrollable outside hands as well,” she reflects, “and now I had chosen to recreate it.” The result of those birth pains is a complex rendering of Sachi’s true self, sweetly melded with her inner child into a stunning portrait of “joy, grace, and beauty.”
Takeaway: Middle-aged woman works through past trauma in the midst of starting over.
Comparable Titles: Rabih Alameddine’s An Unnecessary Woman, Rowan Beaird's The Divorcées.
Production grades
Cover: B+
Design and typography: A-
Illustrations: N/A
Editing: A
Marketing copy: A
These stirring vignettes represent a wide range of relationships, with some warm and heartfelt while others are gut-wrenchingly raw. In “The Wounded” section, “Gerald’s body language still holds on to his mother’s constant criticism,” while dancer Sadie tries to escape the “crippling waves” of her parents’ words and actions. “The Nostalgic” sees Pete reluctant to discard his father’s old shoes—as “proof he was on this earth”—and Alison relistening to her mother’s voice mails to recall the sound. Garwood-Jones herself is no stranger to sorrow, with this book being her way of working through the pain of losing both parents. “I saw grief up close,” she writes, “It was intense. I had to look away. But it kept staring back at me, so I offered it my hand.”
The illustrations are sketched in varying shades of purple, evoking energy, sadness, and intensity across nearly every page as they capture a fragment of time in someone’s life—a woman looking over her shoulder to see the memory of her dead father haunting her, or the moment a man, overcome with grief, rests his head in his hands. These sparse snapshots, paired with the poignant and touching text, will comfort readers wrestling with their own burden of loss.
Takeaway: Stirring resource for adults wrestling with the grief of losing their parents.
Comparable Titles: Alessandra Olanow’s Hello Grief, Megan Devine’s How to Carry What Can’t Be Fixed.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
A Kidnapping in New York
At its heart, this is a daunting tale of parenthood, love, and devotion, one that reveals the power of unresolved trauma. Gwen, though stuck in a cycle of self-blame, continues to grapple with the emotional impact of unplanned motherhood; Zivi, while having committed to a crime-free life, cannot bear to witness Giselle’s sadness; and Giselle, even as she grieves for her child, cannot stop herself from falling in love with Gwen’s. Alongside the unraveling of the story’s three main perspectives is the unraveling of its central mystery, though, unlike traditional whodunits, this is a mystery that plumbs the motivations behind the kidnapping, the tangle of relationships that precipitated it, and the aftershocks it produces for the novel’s main characters. White skillfully builds on these layers, making readers question not only the morality of the crime, but who the real protagonist and antagonist are.
This is a unique crime-driven thriller that explores two contrasting sides to parenthood—nurturing and destructive—both of which play into not only Gwen’s downward spiral but also Zivi and Giselle’s shocking outcome. A must read for those interested in suspenseful novels with considerable psychological depth, White’s writing will entertain and surprise in equal measure.
Takeaway: A compelling psychological thriller exploring parenthood and trauma.
Comparable Titles: Celeste Ng’s Little Fires Everywhere, Sam Vickery’s The Perfect Baby.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
Beginning with a journey through his own life, Raha describes his “narrow mind” and how he broke away from conventional thinking to understand, as his mentor Prof. Ronald Howard, put it, that “you cannot judge the quality of a decision from the quality of the outcome.” The writing is satisfyingly candid, relating personal stories—such as one that details an embarrassing talk that flounders when PowerPoint slides go rogue—to serve as inspiration for Raha’s ideas, and he cautions readers not to think of this book as a “get-rich-quick guidebook,” advising that “listening to your spirit” can lead to decisions others may view as careless or erratic at times.
This book is not material to skim over lightly; it requires intense concentration and reflection. Raha identifies three categories of values that readers can integrate into their work—heart, habit, and head—and offers creative ways to check the validity of those values. Work becomes meaningful when values are followed, he writes, going on to encourage readers that “Great outcomes are out of our control, and so we will focus on investing in great decisions.” To that end, Raha includes graphs and charts that drive his points home and closes with a QR code link to his podcast for further learning.
Takeaway: Refreshing take on why values and work must align for true success.
Comparable Titles: Israel Joshua Chukwubueze’s The Psychology of Decision Making, Joseph Nguyen’s Don't Believe Everything You Think.
Production grades
Cover: B-
Design and typography: A
Illustrations: A
Editing: A-
Marketing copy: A
Through Zeus’s eyes, younger readers spy the excitement—and terror—that comes with exploring big places all alone. The building complex is intimidating, to say the least, and Zeus doesn’t realize until it’s too late that not everyone wants to help him make it back home. He passes an elderly renter who can’t get away fast enough, and a young pool enthusiast seems friendly—until she carries him outside the recreation area and leaves him to his own devices. Poonam S’s digital illustrations aptly portray Zeus’s enthusiasm when he first escapes—and his growing fear, as the story progresses, that he will never find a way home.
Gladstone gradually builds Zeus’s sense of unease, through his treks through progressively scarier floors as he searches for his apartment (Zeus’s last stop, the basement, is dark, smelly, and forbidding), before gifting him the perfect helper at just the right moment—a relief for younger readers who may wonder whether this story has a happy ending. It does, thankfully, and Zeus celebrates that happy conclusion with a well-deserved snuggle and a nap, all thanks to one very accommodating doorman. Kids will cheer for Zeus’s curious spirit while wondering alongside him “where [his] next adventure is going to be.”
Takeaway: Big city pup learns to stay close to home in this charming tale.
Comparable Titles: Doug Salati’s Hot Dog, Marianna Coppo’s Such a Good Boy.
Production grades
Cover: A
Design and typography: A
Illustrations: A-
Editing: A
Marketing copy: A
With a spunky and cunning pet rabbit on the loose, Sam has to think outside of the box and communicate with his new friend, Simone, in innovative ways. Highlighting the importance of compassion, social skills, and inclusion, Haughton creates an engaging, uplifting debut that demonstrates to young readers, through a relatable dramatic situation, the impact of being helpful, doing things afraid, and finding clever new ways to express yourself, including a stick in a sandbox. As Sam learns something extraordinary about his own capabilities, his excitement and bravery are vibrantly illustrated by Olamide Ojo, who captures arresting nuances of feeling in the kids’ faces as well as the communicative possibilities of hands and the amusing comedy of a slippery rabbit on the loose—and taking a trip down the playground slide.
With lessons on problem solving and stepping out of your comfort zone, young readers will find Silent Sam relatable and likable as the hero of this action packed children's book. Silent Sam & The Thumping Rabbit will provide parents and teachers the opportunity to discuss disabilities, inclusion, diversity, kindness, and being comfortable with who you are. But it’s more than the lessons that resonate here. Above all else young readers will enjoy the lighthearted story and convincing new friendship.
Takeaway: Uplifting story of a young boy, a lost bunny, a speech delay, and a new friend..
Comparable Titles: Taraji P. Henson's You Can Be A Good Friend, Maria Gianferrari's Hello Goodbye Dog.
Production grades
Cover: A-
Design and typography: A-
Illustrations: A
Editing: A
Marketing copy: A-
The disturbing history of Cheboygan, Aedan’s hometown, quickly becomes the focus, as Aedan discovers an ancient evil is feeding on the city’s souls, possessing its inhabitants and turning them into mindless automatons. Diligent and altruistic Aedan believes it’s his calling to crack the case of the Cheboygan demon before he leaves for college, and he blithely pursues that feat, shrugging off an elder’s warning that “some waters are too deep and dark to tread lightly in.” McGinn forges Aedan’s courage with the steely resolve of youth, as he vows to face whatever awaits him in the town’s shadowy corners.
An ominous aura permeates, as Aedan’s quest zigzags around a panoply of horror staples, beginning with missing people, an ancient tome of knowledge, and a map leading to a rickety cabin in the woods. From witch trials to a sanitorium, McGinn fully traverses genre conventions—even inserting a haunted refrigerator into the mix, in an amusingly horrifying scene that YA readers will relish. McGinn arranges the disparate parts into a mostly cohesive, spine-tingling whole, revealing the town’s atrocities with appropriate gloom and intrigue, and readers will relate to Aedan as he strives to make his adult mark. The literal deus ex machina ending disappoints, but it’s more the journey and Aedan’s genuinely virtuous character that satisfy.
Takeaway: A group of teens hunt down a soul-stealing demon terrorizing their town.
Comparable Titles: Robin Wasserman’s Girls on Fire, Natalie C. Parker’s Beware the Wild.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Little’s characterization shines exceptionally bright with Marilyn, a master manipulator who retains the sweet, loving embrace of a mother trying to give her son a good life, even as she takes advantage of everyone else to get what she wants. And what Marilyn wants most is for O.C. to leave her alone: he’s hot on her trail, without permission from the force, and desperate to prove to himself—and the world—that his firing was unjust. Little carefully builds the two distinct sides of Marilyn, a loving mother and scheming monster, in unnerving scenes that find her cuddling her son while considering how to force Timmy, a 27-year-old hacker, to do her evil bidding.
Highlighting the ultimate outcome for hardened criminals, Little uses Timmy’s fate as a presage for Marilyn, who becomes increasingly desperate as O.C. makes headway in discovering her new identity. Outside of his determination to bring Marilyn to justice, Little keeps O.C. fairly contained, never delving too deeply into other aspects of his life (though readers will sense his simmering rage and overwhelming desire to clear his name). The action climaxes when a gunman enters O.C.’s home and threatens his girlfriend and her family, driving O.C.’s final steps toward Marilyn. Though some grammar errors distract, Little expertly balances character development with pulse-pounding action sequences in this stormy offering.
Takeaway: Chilling character study of a master manipulator pursued by a determined ex-cop.
Comparable Titles: Gillian Flynn's Gone Girl, B.A. Paris’s Behind Closed Doors.
Production grades
Cover: A-
Design and typography: A-
Illustrations: N/A
Editing: C+
Marketing copy: A
Sir DoGoody Button and Fleabins the Great...Troublemaker
Carson offers younger readers entertaining characters who, while attempting to solve problems, tend to create more—a charming, humorous mix that tosses them into a sea of unlikely quests. From finding "lost" library books to crashing their way into an upscale tea party, DoGoody and Fleabins are an exuberant pair with the best of intentions, though their shenanigans cause more harm than good (thankfully, the pair always try to fix their mistakes in the end). Though Fleabins wreaks havoc outside in the real world—such as driving DoGoody's off-limits car and busting a pack of dogs out of dog training school or planting a kiss on the bride at a wedding he’s not invited to—DoGoody tends to take the blame, thanks to Fleabins conveniently shrinking from the size of a chimpanzee to the true scale of a flea whenever he leaves DoGoody Mansion.
Shannon McKeon’s black and white illustrations hum with energy, showcasing DoGoody trying to tame his lively best friend while Fleabins marches, carefree and untroubled, through heaps of self-made problems. The hijinks are brilliantly crafted to leave children laughing while also creating suspense, as they predict what sticky situations these two lovable characters will get into next. These two are a winning pair.
Takeaway: A mild-mannered canine tries to keep his chaotic best friend in line.
Comparable Titles: Luvvie Ajayi Jones's Little Troublemaker Makes A Mess, David Shannon's No David!
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
Luce deftly weaves a layered story of friendship, aspirations, and the ingrained biases that cast a dark shadow over American culture. The play confronts schisms on human rights, equality, and homophobia while highlighting, in tense exchanges, the violence that rises from baseless hatred of other groups’ lifestyles and beliefs. The American Dream and the cost of fame is also explored through the gaze of the play’s actors, particularly Matt Connor, who portrays the bully. Connor is beloved by his cast mates, but his struggles with alcohol may push him out of a job—and cost him everything he holds dear.
The result is innovative, perceptive, and upsetting, as Luce never downplays the terrible things men feel moved to call each other. In both novel and play, all of these men stand at a crossroads, with Luce making their choices—and the potential fallout—not just suspenseful but resonant, rooted in deep national pathologies. Bill especially faces hard questions about his embittered convictions, including “Do you like yourself? I mean deep down, do you like who you are?” Star Late Rising explores, with empathy and electric invention, the dark side of American masculinity.
Takeaway: Boldy unconventional story exploring American hatred, anger, and violence.
Comparable Titles: Peter Heller’s Burn, Tiffany McDaniel's The Summer That Melted Everything.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
Columbina’s clan holds a special place in Mann’s world: they are responsible for burying pine cone seeds to help replant forests. From the beginning of this thoughtful novel, readers will grasp the beautiful symbiosis between Columbina’s family and nature, and, through Columbina’s eyes, Mann relays the vital interconnectedness of their environment, always with a nod towards cooperation and respect. Columbina’s bird’s eye view expertly shifts reader perspective, and Mann skillfully builds characterization from each creature’s instinctual behaviors: first-person musings of an ancient Whitebark pine tree, marveling at Columbina’s boldness and idealism, are sprinkled throughout the novel, while in other scenes the elders prevent young swallows from protecting a hummingbird’s nest with the rebuke, “Not our kin, not our fight!”
Mann’s striking presentation of this naturalist world—heightened by Steve Habersang’s pen-and-ink illustrations—combines instinctual wisdom with inventive adaptability. An integral part of Uplift’s environmentally conscious message revolves around humans—known here as the Tall Ones—who creep into even the most protected habitats, destroying the forests and putting bird species at risk. Columbina plays a crucial part in confronting the Tall Ones, accepting great personal sacrifice in her efforts to unite mankind and nature, and Mann ends the novel with a poignant reflection on the cycle of life in the natural world.
Takeaway: Beautiful portrait of nature’s cycles, from the perspective of a Clark’s Nutcracker.
Comparable Titles: Barbara Gowdy’s The White Bone, Laline Paull’s The Bees.
Production grades
Cover: A
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A
Beyond its character-driven narration, Weiner’s story unfurls a detailed history of 20th century America, often detouring into interesting snippets—from the Titanic’s sinking to the ideals and political machinations of Tammany Hall—designed to shore up the text with historical background. When Bill Roth, Patrick Doyle, and Anthony Carbone cross paths with Oscar Klein, fortune truly begins to favor them: Klein, a street-smart orphan from Philadelphia, arrives in New York penniless but determined, and his instinctive business acumen leads to a venture between himself and the family representatives, a development that Weiner dedicates much time to fully fleshing out.
Weiner threads the ideals of philanthropy throughout the novel, as, over the generations, the four families channel their wealth into charities, medical work, and more. Just as altruism becomes a character in and of itself here, so, too, does New York City, as it grows and evolves alongside the novel’s cast, swelling and ebbing with the ups and downs that accompany carving out a life from virtually nothing. This is a poignant reminder that the true measure of success lies not in wealth or fame, but in the bonds we forge and the legacies we leave behind.
Takeaway: Inviting generational saga of four intertwined families in 20th century America.
Comparable Titles: Zadie Smith’s White Teeth, Ann Patchett’s The Dutch House.
Production grades
Cover: B+
Design and typography: A-
Illustrations: N/A
Editing: B+
Marketing copy: A-
On his surprise return, Robin discovers that his mother’s health is ailing. Soon, bereft, Robin returns to the woods that debut author Cricket describes with era-appropriate awe and mystery—“the old trees keep what they know to themselves.” Robin is heartsick, believing his mother’s spirit now inhabits a bird, and soon encounters three fairies, whom he endeavors to trick into telling him who his father is. Cricket excels at fae play, at riddling logic, and at magic moments like Robin worrying, as he peers into “the wavy moonlit water,” that he sees “ not the eyes of a boy at all, but of some creature a thousand years old”.
The plot turns on Robin helping the villagers against a cruel baron, despite his belief that they don’t care a “fig” for the Witch’s Boy. But what lingers is this world. In clear, brisk prose, The Legend of Robin Goodfellow exults in a world of magic circles, “blurry mist”s, fairy tricks, and the conflict between paganism and the cosmology of the village’s Father Tom, who warns Robin that without prayer Mam may languish in Purgatory.
Takeaway: A healer’s shunned son must save the village in 12th Century England.
Comparable Titles: Pat Walsh’s Crowfield Abbey series; Donna Jo Napoli’s Breath.
Production grades
Cover: C
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: B
That sense of calling shines through as Rönn provides frank and intimate details about the abortion process in a way that is informative and deeply personal to her own experience, while providing up-to-date data about abortions in the U.S., her home country of Sweden and other countries. "It’s not only the stigma against abortions that makes it difficult—restrictive laws and financial constraints also play a significant role,” Rönn writes. Blending her own story with the history of birth control clinics and the laws that determine and limit women's rights, Rönn provides insight that will open the door to hard conversations about abortion.
Rönn shares raw feelings of “disenfranchised grief” and the process of "grief work,” while also exploring guilt and feeling judged for her choice in the aftermath. A healing journey, a moving act of disclosure, and an impactful call-to-action powered by a visceral sense of mission, Behind Bulletproof Glass challenges the status quo and urges women to tell their stories. Rönn makes the case that breaking “this vicious circle of stigma, shame, and silence” demands talking about abortion.
Takeaway: Resonant memoir and call-to-action about daring to talk frankly about abortion.
Comparable Titles: Bonnie Brady's And That Was That, Meera Shah's You're The Only One I've Told.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
