McGurk crafts a tale that seamlessly weaves together the intricacies of spy craft, personal history, and the quest for truth, its elaborate plot unfolding across multiple time frames and locations. From the turbulent backdrop of Ireland during the Irish Republican Army and British Empire conflict to the orphanage in Alabama where Bree grew up, and finally to the Norwood Agency in Britain, the story navigates through these settings with skillful storytelling, though the timelines require close attention to fully appreciate the unraveling events.
Heredity, DNA tests, and undercover moles resonate, mirroring the spy game, as Bree explores her roots in her ancestral home with fellow spy Dash Heyward, aided by roommate and Head Girl, Ruby. The supporting characters, with their own motives and secrets, add complexity to the tale. As Bree grapples with the embedded tracking device in her neck and questions of trust, the tangled web of relationships, beliefs, and falsehoods keep readers guessing until the final pages, and how to discern intentions while surviving requires every inch of Bree’s focus. The payoff is a gripping tale of espionage, self-discovery, and survival, and McGurk masterfully blends the action, mystery, and character-driven moments together, delivering a worthy sequel that will leave readers anticipating the next installment.
Takeaway: A twisting spy game adventure of betrayal, self-discovery, and survival.
Comparable Titles: Maureen Johnson’s Truly Devious, Marion Blackwood’s The Traitor Spy.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
In “Insomnia,” from a section titled “Mental Collisions,” the speaker stays up until dawn and “watch[es] as the Earth tilt[s] on its axis to reveal the sun’s glory.” At this change in perspective, day is a result of the earth turning rather than the sun coming up. The speaker then asks, “does the sun ever rise?” which is a remark not just on the unsettled self but the unsettled collective—even though humanity has long understood that the sun itself does not ascend the sky, we cannot abandon the myth of sunrise. In Bioku’s hands, though, this inquiry and this turning of perspective on its axis results in a healing liberation.
Bioku spins an elaborate web of self-expression in We Ponder that, despite several one-dimensional poems, is accessible, relatable, and refreshingly bold, particularly for readers seeking poetry about mental illness. Bioku is at her best in this collection in the section titled “Spiritual Remedies,” which is a series of prayer-poems that are brief but often transcendent. As the speaker writes in “Magenta Cosmos,” in the path of God or Creator, the unsettled mind is not one meant to be solved or settled: “grand designs have no negative spaces.”
Takeaway: Dreamy, melancholy poems of spirituality, mental health, heartbreak, and love.
Comparable Titles: Nikita Gill’s “The Truth About Your Heart,” R. H. Sin.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: B
WIth prose touched with poetry and charged with feeling, Coles explores the human condition in literal and philosophical senses as Kanan and Tei uncover secrets about their existence, their history, and the structure of a society whose particulars will keep even seasoned science-fiction readers guessing. As Kanan and Tei find and rely on their talents, they unearth strengths within themselves to determine their own destiny outside of the stations they have been told await them in the future.
A captivating story of truth, good and evil, and what constitutes being "human", The Limits of My World lives up to its title, revealing that what the protagonists perceive as the parameters of their existence—including creepy inventions like the “butchery curtains”—isn’t the limits of their world at all. For all the provocative ideas and revelations, Coles prioritizes character and adventure, pitting his protagonists against hard choices (“You live skinless or you do not live”) and the most urgent of questions.
Takeaway: Fresh SF page-turner of identity, dystopia, and fighting for one’s place.
Comparable Titles: Brian Everson’s The Warren; Lauren Beukes.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A-
Witham does a masterful job covering the dirty dealing in artwork through the eyes of Quang and Soong, and even better is his deft portrayal of modern China. He navigates readers through a China still reflecting on its imperial era, even after communism and recent forays into capitalism, where soldiers can sing Bee Gees songs, but to Quang, the last imperial ruler, Empress Cixi, is "still present." Even the Cultural Revolution seemingly didn't erase all vestiges of the royal family, at least in spirit, and Witham’s lovingly penned descriptions of the country hold attention, even when the plot meanders.
Though the focus is mostly on China itself, Witham capably develops agents Ho and Peale as well; they’re an engaging pair, and their sleuthing in China is buoyed by their comfortable rapport. For action fans, there's plenty of martial arts fighting and a particularly well-staged army helicopter extraction scene, and Witham deserves full marks for the offbeat but exciting wind-up. The novel delves into the concept of cultural property, a background against which Witham weaves a plausible and gripping denouement centered on artwork, museum building contractors, and a mysterious drink called Gold Tea. This lands well for fans of impassioned political thrillers.
Takeaway: America and China engage in complex—and deadly—espionage over art.
Comparable Titles: Dan Brown, Sam Christer.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A-
Taylor Street is a worthy setting, equal to the book’s thrilling plot line, where the gritty neighborhood comes alive with colorful characters, whether it’s Beans’s Uncle Skinny, neighborhood bookie Willy the Wiz (replete with black Stacy Adams wingtips), or Pete the Bum, a “bona fide hobo” with serious street cred. Palmer paints the labyrinthine ecosystem of cops, thieves, their all-too-human aspirations and dreams, and their collaborations—said and unsaid, overt and covert—in a realistic manner, and he smartly avoids styling the protagonists as idealistic heroes. Each is a thorough professional, as proud of their skills and exploits as any other on the “right” side of the law.
The brisk pace and mounting tension towards the end will keep readers on the edge of their seats, and once Step’s true intentions are exposed, the stakes grow exponentially higher—with actual lives hanging in the balance. The final resolution adds depth and nuance to the thriller, setting the stage for the next in the series, as Beans and his crew are tasked with avenging a childhood friend’s abuse at the hands of his physical therapist. This is a gripping read with unforgettable characters.
Takeaway: A gang of good-hearted thieves takes on 1980s Chicago.
Comparable Titles: S. A. Cosby’s Blacktop Wasteland, Grace D. Li’s Portrait of a Thief.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
As Rynna and Ted escape the family manor together, they must navigate her pregnancy amid their blossoming relationship, but they soon find themselves plagued by the past: Jason’s ghost is obsessed with possessing his soon-to-be-born son, Robert (“I take what is mine” is his constant refrain), and Rynna can’t shake the nightmares of Jason terrorizing her—both in life and in death. Her relationship with Ted is destructive in its own right: Rynna’s deep insecurity pushes her to pursue marriage with him, and children of their own, despite his fears that their children will inherit his disabling arthritis, and Ted’s manipulative treatment of Rynna echoes her past marriage. Added to the mix is Jason’s ghost, repeatedly threatening to kill Rynna and Ted or steal Robert, and Ted’s memories of his failed relationship with prior girlfriend Sylvia, to whom he’d been “sort of engaged.”
The abusive dynamics between Rynna and Ted may be triggering for some readers, but Griffin takes time to explore the past trauma shaping their interactions. That theme of two wounded souls stays center stage throughout, although the character-driven moments are interlaced with chilling supernatural angst that gives the novel some edge. Rynna’s determination to protect her son adds much needed optimism, and, despite an abrupt ending, the epilogue is rewarding.
Takeaway: Love struggles to overcome trauma, past and present, in this dark romance.
Comparable Titles: Nancy Price’s Sleeping with the Enemy, John R. Holt’s When We Dead Awaken.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: B
Marketing copy: A
Incorporating elements of mystery, Vespa has written a touching story about the transition into adulthood that pierces the heart while avoiding what Alexandra, one of Maggie’s correspondents, calls “badly wrought sentimental life lesson”s. Vespa creates a memorable group of friends experiencing grief, struggling with their sexual identity, and striving to find acceptance. These include Maggie’s friend Adam Moon, who says to his father “You’d prefer that I was out of my mind, shooting heroin into my arm, or dead, rather than be attracted to guys?” (The response is devastating.) Meanwhile, Maggie works her way through school, takes on odd—and sometimes dangerous—jobs from shady acquaintances, and continues to add friends to her already proudly unusual bunch, whose letters burst with wit and feeling.
Written with empathy plus much snarky, dark humor and razor-sharp dialogue, and always attentive to life as it’s lived in moments of connection, Seven Perfect Days fleshes out its cast in three dimensions as they enter the world, in vividly described locales like Singapore, the Maldives, and the unnamed island. The novel is long, but Vespa keeps it brisk and focused, offering an intricately woven tapestry of friendship, family, and romance.
Takeaway: Sweeping coming of age story full of adventure, romance, and dark humor.
Comparable Titles: Allison Larkin’s The People We Keep, Anne Youngson’s Meet Me at the Museum.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
This is a sweet ode to the joy of nurturing animals, though Abel admittedly has her work cut out for her in training Milo, an aggressive alpha dog who the family quickly realizes is a far cry from their previous pet. Abel and Milo's journey through training, asserting dominance, and learning to trust each other is an endearing story of overcoming grief, finding coping mechanisms in the most unlikely places, and the love between a dog and its owner. Abel refuses to give up on Milo, even after being warned of his volatility, writing that she was "determined to save him."
Animal lovers will relish the central role that Abel’s pets play in her wellbeing throughout the narrative, as she goes from adamantly avoiding dog ownership—due to a traumatic experience in childhood, when her father threw her puppy down a flight of stairs—to discovering not just camaraderie, but also healing in the human/animal bond. Abel writes transparently about the struggle to tame Milo, her troubling relationship with her parents, and the supportive nuclear family she establishes as an adult. This compassionately vulnerable memoir is, in Abel’s own words, a manifestation of her “determination to create an environment of unconditional love.”
Takeaway: Touching ode to the bond between humans and pets.
Comparable Titles: Garth Stein's The Art of Racing in the Rain, John Grogan's Marley & Me.
Production grades
Cover: B
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
With well-chosen data, Siegel demonstrates how countries like The Netherlands have "created a prosperous economy with low unemployment" due to letting employees work fewer hours, though he’s clear-eyed about the practical challenges of fostering such profound change. To that end, he examines historical precedents like the Depression and the women's rights movement, chronicling the many ways employment actually has changed within the past century. The stakes are high, and he’s compelling in his depiction of a potential future where, if American workers continue to work, produce, and consume at the continued growing rate of recent decades, technology and environmental catastrophes will "bring immense destruction.”
Through consistent reiteration of its thesis—"this book looks at a way of dealing with ecological limits that is more politically practical"—even when Siegel entertains oddball hypotheticals like what if helicopters became the new cars, To Save the Earth, Work Less is an urgent, thought-provoking resource that challenges orthodoxies of American workforce, consumerism, capitalism, inequality, and "the law of diminishing marginal utility.” This is a quick, potent read that will spark conversation and provide food for thought on essential questions of the American dream, what it actually means to feel satisfied in life, and nothing less than the fate of the world.
Takeaway: Urgent call to reduce work, consumption, and inequality and save the planet.
Comparable Titles: Mary Robinson's Climate Justice, Naomi Klein's This Changes Everything.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: A
Blake's love for her work and animals pulses through this memoir that reads like journal entries as she covers "14,000 miles in eight months" as a traveling horse trainer "promoting a kinder method of training." Delving into the development of “Affirmative Training,” her empathetic method, and also how the pandemic changed the trajectory of her life's work, and the "special connection" horses and their humans share, Undomesticated Women offers much that will engage seekers and animal lovers. "Sometimes I refer to myself as a couple's therapist for horses and humans,” Blake affectionately writes, and her stories back this up as she demonstrates a passion for her career path that is infectious and inspiring.
This spirited memoir focuses on travel, human-animal relationships, and what it actually feels like to live an adventurous, nomadic existence. Blake mourns her losses, celebrates her husband, tends to the animals she loves, and frankly addresses issues of mental health—“My depression sat next to me in broad daylight, like an evil twin with poor hygiene”—she writes, as this candid, memorable memoir finds her hitting the road, leaving domesticity in the rearview.
Takeaway: A horse trainer’s intimate nomadic journey through pandemic-era America.
Comparable Titles: Lisa Wysocky's Horseback, Courtney Maum's The Year of the Horses.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
While Joi’s focus is on practical, original steps to organize and perform work anniversary celebrations, the broader theme is the creation or improvement of healthy, “intentional” workplace culture, especially through demonstrating that employees are valued, appreciated, and remembered for their work. "Work anniversaries can play a significant role in helping you craft an intentional workplace culture," Joi writes. Joi likens work anniversaries to birthdays, with the distinction that work anniversaries are to be celebrated inside of the workplace, while birthdays are personal. Touching on the importance of celebrating both in-person and remote employees, the nuts and bolts of how much to spend and how elaborate to get, and the value of framed certificates and other acknowledgements of employees’ contributions, Inspiring Work Anniversaries makes a compelling, positive case for the power of celebrating employee milestones.
A wealth of clear-eyed advice will help avoid awkward scenarios and ensure celebrations for a host of different types of employees resonate, including guidance for honoring remote employees, writing celebratory speeches, and navigating limited budgets. Business leaders looking for a simple way to acknowledge their employees and curate actionable positivity into their workplace culture will find the ideas and advice here inspiring and easy to implement.
Takeaway: The power and practicalities of celebrating employee anniversaries.
Comparable Titles: Donna Cutting's Employees First, Cindy Ventrice's Make Their Day!.
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
The dynamic plot, marked by constant shifts in mission objectives, offers continual unpredictability as the scope and stakes—and the playful strangeness of an Earth full of dino-lizards and mega honey badgers—become clear. Jonas's initial objective is to find the all-knowing hermit Siegfried. Persistent bounty hunters Necrat and Tarsus complicate things, relentlessly pursuing Jonas and Siegfried. The narrative gains momentum as Jonas encounters Siegfried, triggering an onslaught by the skeleton god Khapre-Tum’s army on Earth's city of Heliopolis. The revelation that Khapre-Tum plans to unleash a world-shattering weapon on Earth forces Jonas to shift his focus to confronting a literal Demon-god, which of course is a bit much for a first-year agent. Fortunately, in a twist of destiny, Jonas is bestowed with additional power and responsibilities by the celestial being Garud, elevating him to the position of a Savior. It all builds to a high-octane final act of infiltrating the underworld.
The swift resolution of conflicts through Ashtar or Garud's interventions, such as the use of a prophecy, occasionally lessens the tension and challenges faced by Jonas, and the novel’s length is demanding, exacerbated by a tendency to explain in narrative what’s already clear from dialogue. Still, the ending is satisfying, and the narrative's strengths lie in its diverse characters, constant surprises, and jolting reimagination of an ancient Earth.
Takeaway: Wildly inventive SF adventure sending a far-future rookie to a changed Earth.
Comparable Titles: Pittacus Lore’s Ashfall Legacy, Rebecca Coffindaffer’s Throne Breakers.
Production grades
Cover: B+
Design and typography: A
Illustrations: N/A
Editing: A-
Marketing copy: B+
Rick and Lincoln straddle the cusp of adulthood throughout—a taxing gig that’s reflected in Lincoln’s flippant assessment of Yucaipa, their isolated Californian city: “I like it here…the edge is where everything happens. Ask any chemist. Ask any historian.” The story takes its cue from there, as the boys construct a new world for themselves at “the edge of nowhere,” a world that’s scattered with fitting references—literary, musical, and political—that signal the ‘60s fringe culture shaping their capering. Isaak takes pains to showcase that culture, whether it’s Rick’s assessment of I Am Curious (Yellow) as “vague [and] unfocused” or the veiled references to the helpless horror of the Vietnam War.
Isaak is careful to treat the story’s evolution with a light, humorous touch, avoiding the pitfall of taking coming-of-age revelations too seriously, but the characters of Rick and Lincoln are neither glorified nor treated dismissively: they’re portrayed as impressive but ultimately ingenuous young boys doing the best they can to navigate the treacherous waters of becoming an adult. Isaak’s deft merging of teen angst with of-age awakenings makes this a treasure.
Takeaway: Teen boys navigate America’s 1960s fringe culture in this stellar coming-of-age.
Comparable Titles: Ann Patchett’s Tom Lake, Ellen Meeropol’s Her Sister’s Tattoo.
Production grades
Cover: A-
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A
Rathbun tells this story with verve and real historical research, including a robust detailing on sources as well as photos that grounds the characters and setting. Far beyond the historical value, this is a compelling and deeply intimate portrait of her own grandfather: his fascinating life shapes her own, from her mother’s alcoholism to her family’s fascination with horse racing to the irrevocable stain the Depression left on her mother’s psyche. She doesn’t shy away from Moore’s “shadowy business dealings,” and just how he made his millions is never quite clear. From Rathbun’s telling, his life before the fall consisted of lavish parties, hunting for wild game, and machinations with the British aristocracy.
Rathbun’s commitment is admirable: she travels from North Carolina to California to find people with knowledge about her grandfather, in addition to extensive archival research, and the anecdotes she shares add color and pathos to the narrative, such as when she forces herself to eat wild boar meat or when she reconnects with her Uncle David. The result is an unflinching portrait of a somewhat scandalous transformation from “a low-born immigrants’ son into a celebrated international financier who lived the American Dream.”
Takeaway: Irresistible memoir of early 20th century extravagance, scandal, and family heritage.
Comparable Titles: Nathan Miller’s New World Coming, J.R. Ackerley’s My Father and Myself.
Production grades
Cover: A-
Design and typography: A
Illustrations: A
Editing: A
Marketing copy: A-
So, with certification from one Basic Sailing Course, Rebecca takes part in one of the great international sailing challenges, facing all the danger, thrills, glory, camaraderie, and hard work, all of which Wyatt describes with crisp clarity, convincing accuracy, and a teacher’s zeal for explanation. Simple sketches clarify the route, nautical maneuverings, and finer points of sails and jibs. Not all of the team approves of Rebecca, and Wyatt pairs the journey of the Gallivant with Rebecca’s own route toward confidence and healing. Nobody is as hard on Rebecca as she is on herself, in the form of hectoring inner voices that, ever since her childhood in the foster system, have told her she will fail.
“The romance and adventure” are real, Rebecca muses after much hard work, “but they came with sore muscles and wet hair.” They also come with real danger, which Wyatt dramatizes with precision and power, capturing Rebecca’s breath-by-breath confrontation with possible death. The novel, though, is a pleasant breeze, attentive to history, wildlife, and everything an attentive novice would feel and discover on the voyage of a lifetime.
Takeaway: Spirited novel of a novice sailing in a race around Vancouver Island.
Comparable Titles: Hannah Stowe’s Move Like Water, Victor Suthren’s Canadian Stories of the Sea.
Production grades
Cover: B+
Design and typography: A-
Illustrations: B+
Editing: A
Marketing copy: A
Warning of the worst of government overreach, Isaak deftly immerses stranger Toby in a truly strange land. Extrapolating from laws of the 1990s when the DEA could confiscate a drug lord’s assets, and when everyone demanded that their taxes be lowered, by 2088 the government’s sole source of revenue is the confiscation of property. Jam-packed prisons are privatized, and government agencies arrest citizens with highly desirable skills on trumped-up charges, forced to work off their sentences performing slave labor in prisons that supply the government with goods. High on the government’s list of criminals is hacker Boots DeVore, who exposes the truth to the oblivious citizenry addicted to mandatory drugs. To help work off his obscene debt, Toby, with his hacker skills, is recruited to hunt down Boots. But whose side is Toby on?
With a diverse cast and polished prose, Isaak captures the startling extent to which government can debase humanity for its own economic benefit. It’s a world of segregated communities, children of prisoners losing their civil rights, government fines if you get fat, and an elite class exempt from all crime. Readers will be enthralled by the meticulous descriptions, relatable protagonist, and wide-eyed revelations of the slippery slope we’ll be headed for if we’re not vigilant.
Takeaway: A 20th-century hacker confronts a dystopian future with skepticism and hope.
Comparable Titles: Cory Doctorow; Agustina Bazterrica’s Tender Is the Flesh
Production grades
Cover: A
Design and typography: A
Illustrations: N/A
Editing: A
Marketing copy: A